Clothing and Body Narrative Strategies in The Great Gatsby

IF 0.1 3区 文学 N/A LITERATURE TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-10-26 DOI:10.3968/12345
Mina Yu
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Abstract

Body became the generative center and presentation of narrative meaning in modern fiction; it is not only the physiological existence, but also the collection of ideas and the signifier of meaning. In modern novels, the signifying meaning of characters will be revealed by the presentation of private body. Description of clothing is significant in body narrative, while paradoxically,clothing is,in one way the medium of meaning construction and expression of body, and in another way the cognitive obstacle covering the body and delaying the revealing of truth. Fitzgerald, taking full advantage of this paradox, adopted different strategies to depict the clothing of the two groups of main characters in The Great Gatsby, constructing a contrast between the visible body and the invisible body,thus to disclose the different body representations of American Dream and their respective failure.
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《了不起的盖茨比》中的服装与身体叙事策略
身体成为现代小说叙事意义的生成中心和呈现;它不仅是生理上的存在,而且是观念的集合和意义的能指。在现代小说中,私人身体的呈现将揭示人物的象征意义。服装的描述在身体叙事中具有重要意义,而矛盾的是,服装一方面是身体意义建构和表达的媒介,另一方面又是遮蔽身体、延迟真相揭示的认知障碍。菲茨杰拉德充分利用了这一悖论,对《了不起的盖茨比》中两组主要人物的服装进行了不同的刻画,构建了看得见的身体与看不见的身体的对比,从而揭示了美国梦中不同的身体表征及其各自的失败。
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