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Reimagining Community at the Open Marshland: Ecocritical Anti-Bildung in Kazuo Ishiguro’s Never Let Me Go 在开阔的沼泽地重塑社区:石黑一雄《决不让我走》中的生态批判--反教育
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-12-01 DOI: 10.7560/tsll65404
Nami Shin
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引用次数: 0
Archive Notes: An Introduction to the Kazuo Ishiguro Papers 档案笔记:石黑一雄论文导读
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-12-01 DOI: 10.7560/tsll65401
Megan Barnard
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引用次数: 0
Intratextual Ishiguro: Transitional Spaces and the Unmaking of Interpretative Communities 文本内的石黑:过渡空间与解读社群的解构
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-12-01 DOI: 10.7560/tsll65402
Ivan Stacy
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引用次数: 0
Roles That Contain and Restrain: Kazuo Ishiguro’s The Remains of the Day, Klara and the Sun, and Living 遏制与约束的角色:石黑一雄的《余生》、《克拉拉与太阳》和《活着
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-12-01 DOI: 10.7560/tsll65406
Keith Oatley
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引用次数: 0
Romanticism and Consciousness, Revisited: A Roundtable Discussion 浪漫主义与意识,重温:圆桌讨论
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-12-01 DOI: 10.7560/tsll65407
Samuel Baker, Joel Faflak, Richard C. Sha, Jacques Khalip, Kate Singer, Nancy Yousef, Hannah Wojciehowski, Mustafa Ayçiçeği
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引用次数: 0
About Our Cover Art 关于我们的封面设计
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-12-01 DOI: 10.7560/tsll65400
The Editors
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引用次数: 0
Love as Subjectification in Kazuo Ishiguro’s Never Let Me Go 石黑一雄《永不让我走》中作为主体化的爱情
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-12-01 DOI: 10.7560/tsll65405
Amy Christmas
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引用次数: 0
Emotional Repression in Kazuo Ishiguro’s Klara and the Sun 石黑一雄《克拉拉与太阳》中的情感压抑
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-12-01 DOI: 10.7560/tsll65403
Yiqun Xiao
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引用次数: 0
Vampirism in the Ether: Radio’s Horrific Potential in Orson Welles’s “Dracula” 以太中的吸血鬼:奥逊·威尔斯《德古拉》中无线电的可怕潜力
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-09-01 DOI: 10.7560/tsll65301
Nicholas A. Sabo
ABSTRACT:The Mercury Theatre on the Air adaptation of Dracula updated the novel’s protomodernist fears of technology, subsuming and enthralling its subjects through the new medium of radio. Retaining the novel’s moments of travel, Orson Welles would bleed diegetic layers of the epistolary form together and rework the narrative’s relationships to reflect the asymmetric dynamics of broadcaster and listener. I argue that Welles evokes debates around radio to highlight the medium’s potential to both empower and subjugate.
摘要:水星剧院改编的《德古拉》更新了小说中原现代主义者对技术的恐惧,通过广播这一新媒介将主题纳入其中并使其着迷。奥逊·威尔斯保留了小说的旅行时刻,将书信体的叙事层融合在一起,重新设计叙事的关系,以反映广播者和听者的不对称动态。我认为威尔斯唤起了围绕广播的争论,以突出这种媒体既能赋予权力又能征服他人的潜力。
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引用次数: 0
“Why Am I a Girl?”: Gender Variance and the Racial Ideal in Frank Bidart’s “Ellen West” “为什么我是女孩?”——弗兰克·比达特《艾伦·韦斯特》中的性别差异与种族理想
IF 0.2 3区 文学 0 LITERATURE Pub Date : 2023-09-01 DOI: 10.7560/tsll65304
Catherine Irwin
ABSTRACT:This essay argues that Frank Bidart’s “Ellen West” utilizes a case history of an early twentieth-century genderqueer Jewish woman with anorexia to indict the clinical establishment and its complicity in protecting certain bodies while disavowing others. An analysis of the clinic’s reliance on gender and racial givens and the complex ways the title speaker struggles to both submit to and defy such givens suggests her death represents the disavowal of a racialized, gender-variant body.
摘要:弗兰克·比达尔的《艾伦·韦斯特》以20世纪初一位患有厌食症的犹太女性为例,控诉了临床机构及其在保护某些身体的同时否认其他身体的同谋行为。对诊所对性别和种族假设的依赖,以及主人公挣扎于服从和反抗这些假设的复杂方式的分析表明,她的死代表了对种族化、性别变异的身体的否认。
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引用次数: 0
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