Jacob Roman and his connection with the Delft regent Pieter Teding van Berkhout

IF 0.1 2区 艺术学 0 ART OUD HOLLAND Pub Date : 2011-12-01 DOI:10.1163/003067212X13397495480781
C. Fock
{"title":"Jacob Roman and his connection with the Delft regent Pieter Teding van Berkhout","authors":"C. Fock","doi":"10.1163/003067212X13397495480781","DOIUrl":null,"url":null,"abstract":"The family of Pieter Teding van Berkhout (1643-1713) originated from the West Frisian town of Hoorn, but by the time he was born they had moved to The Hague to take up high governmental offices in the province of Holland and West Friesland. The relatives of his mother, who was born into an important patrician family in Delft, opened the doors to a successful career in that city, where Pieter went to live after his marriage and where in due course he became a member of the city council and burgomaster. The diaries that he kept throughout his adult life reveal his close connection to the architect Jacob Roman (1640-1716), one of the main architects of the late seventeenth century, first as architect of the city of Leiden and later of King-Stadholder William III of Orange. Since Roman features in relatively few sources, Pieter's extensive diary entries, in which the architect is mentioned no fewer than 45 times (see Appendix), reveal several hitherto unknown facts about his career. Jacob Roman did not start out as an architect but followed in his father's footsteps by becoming a woodcarver ('beeldsnijder') whose main skill was the carving of ornamental decorations. It was in that capacity that Pieter Teding van Berkhout first commissioned him in 1677 to execute the decorative carvings on his coach, which was made to Pieter's specifications by craftsmen in The Hague. That was followed a year later by the decorations on a clock that Pieter wanted to present to Delfshaven, of which he was harbour master at the time. In both instances Pieter closely followed the progress of Roman's efforts during visits to his workshop in The Hague. Shortly afterwards, though, Jacob Roman shifted his interest increasingly to architecture (in 1681 finally abandoning his former profession). This coincided with Pieter's diary entry in September 1679 about discussions in Clingendael on architectural subjects between himself, his host and friend Philip Doublet and Jacob Roman. A few weeks later this was followed by Roman's visit to Pieter's house in Delft to discuss some plans Pieter had regarding his own buildings. Yet when Pieter rebuilt his country retreat of Pasgeld near Delft in 1681-1683, Roman's role must have been confined to advising on more general aspects, without any practical involvement in the planning and building process. And again, when Pieter made extensive alterations to his town house in Delft in 1687-1689, all of Roman's visits to Delft in that period to discuss architectural matters only took place when Pieter's renovations were well under way in accordance with plans developed by Pieter himself. Nevertheless, the relationship between the two men flourished, as Pieter Teding van Berkhout showed a marked interest in the building projects in which Jacob Roman was involved. The first time we hear of this is in February 1686, when Pieter visited Roman in Leiden to look at the latter's designs for Het Loo, when he designated Roman in his diary in so many words as the architect of this first building phase of Het Loo (which has remained uncertain in other sources), although it was only in 1689 that Roman became William III's official architect. As Pieter Teding van Berkhout showed great interest in architecture and garden design, joint visits in Roman's company became a welcome pastime, especially in later years. In 1700, for example, Roman took Pieter to some (unspecified) buildings for the king in the Hague and to the recently purchased house of Hans Willem Bentinck, Earl of Portland, on the Voorhout, which was then being renovated by Roman. Two years later, in February 1702, Roman showed Pieter round the quarters which the king's other favourite, Arnold Joost van Keppel, Earl of Albermarle, had been given adjoining the Stadholder's Quarters on the Binnenhof, which Roman was in the process of renovating, according to Pieter's diary. Both these activities of Roman's were unknown from other sources. Whether Pieter's visit later that year to the house on the Plein of another courtier, Willem Adriaan van Nassau-Odijck, this time without Roman, was on the latter's instigation and thus might indicate his involvement in possible alterations, must remain uncertain. But it is well known that both Albemarle and Nassau-Odijck used Roman as the architect for their country houses, De Voorst and Zeist. These were not the only visits that Pieter Teding van Berkhout and Jacob Roman paid to buildings in and around The Hague. For instance, when Roman was appointed intendant of the palace at the Noordeinde for the King of Prussia, the new owner, he took Pieter on an extensive tour of the palace and garden. And when, in 1705, Cornelis de Jonge van Ellemeet, who belonged to the inner circle of Pieter's friends in The Hague and frequently entertained him at his country house Duinrell, was planning to built a palatial mansion in Rotterdam, Pieter was quick to visit Roman to view the plans the architect had made for it. Later in 1709, still during the building process, Pieter and his family visited the house in Rotterdam, which was nearing completion and was already partly furnished. This time Roman did not accompany him. The last recorded joint visit of the two men to one of Roman's projects concerned a house in Delft belonging to Adriaan Boogaert, seigneur of Beloys, in May 1708. 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Abstract

The family of Pieter Teding van Berkhout (1643-1713) originated from the West Frisian town of Hoorn, but by the time he was born they had moved to The Hague to take up high governmental offices in the province of Holland and West Friesland. The relatives of his mother, who was born into an important patrician family in Delft, opened the doors to a successful career in that city, where Pieter went to live after his marriage and where in due course he became a member of the city council and burgomaster. The diaries that he kept throughout his adult life reveal his close connection to the architect Jacob Roman (1640-1716), one of the main architects of the late seventeenth century, first as architect of the city of Leiden and later of King-Stadholder William III of Orange. Since Roman features in relatively few sources, Pieter's extensive diary entries, in which the architect is mentioned no fewer than 45 times (see Appendix), reveal several hitherto unknown facts about his career. Jacob Roman did not start out as an architect but followed in his father's footsteps by becoming a woodcarver ('beeldsnijder') whose main skill was the carving of ornamental decorations. It was in that capacity that Pieter Teding van Berkhout first commissioned him in 1677 to execute the decorative carvings on his coach, which was made to Pieter's specifications by craftsmen in The Hague. That was followed a year later by the decorations on a clock that Pieter wanted to present to Delfshaven, of which he was harbour master at the time. In both instances Pieter closely followed the progress of Roman's efforts during visits to his workshop in The Hague. Shortly afterwards, though, Jacob Roman shifted his interest increasingly to architecture (in 1681 finally abandoning his former profession). This coincided with Pieter's diary entry in September 1679 about discussions in Clingendael on architectural subjects between himself, his host and friend Philip Doublet and Jacob Roman. A few weeks later this was followed by Roman's visit to Pieter's house in Delft to discuss some plans Pieter had regarding his own buildings. Yet when Pieter rebuilt his country retreat of Pasgeld near Delft in 1681-1683, Roman's role must have been confined to advising on more general aspects, without any practical involvement in the planning and building process. And again, when Pieter made extensive alterations to his town house in Delft in 1687-1689, all of Roman's visits to Delft in that period to discuss architectural matters only took place when Pieter's renovations were well under way in accordance with plans developed by Pieter himself. Nevertheless, the relationship between the two men flourished, as Pieter Teding van Berkhout showed a marked interest in the building projects in which Jacob Roman was involved. The first time we hear of this is in February 1686, when Pieter visited Roman in Leiden to look at the latter's designs for Het Loo, when he designated Roman in his diary in so many words as the architect of this first building phase of Het Loo (which has remained uncertain in other sources), although it was only in 1689 that Roman became William III's official architect. As Pieter Teding van Berkhout showed great interest in architecture and garden design, joint visits in Roman's company became a welcome pastime, especially in later years. In 1700, for example, Roman took Pieter to some (unspecified) buildings for the king in the Hague and to the recently purchased house of Hans Willem Bentinck, Earl of Portland, on the Voorhout, which was then being renovated by Roman. Two years later, in February 1702, Roman showed Pieter round the quarters which the king's other favourite, Arnold Joost van Keppel, Earl of Albermarle, had been given adjoining the Stadholder's Quarters on the Binnenhof, which Roman was in the process of renovating, according to Pieter's diary. Both these activities of Roman's were unknown from other sources. Whether Pieter's visit later that year to the house on the Plein of another courtier, Willem Adriaan van Nassau-Odijck, this time without Roman, was on the latter's instigation and thus might indicate his involvement in possible alterations, must remain uncertain. But it is well known that both Albemarle and Nassau-Odijck used Roman as the architect for their country houses, De Voorst and Zeist. These were not the only visits that Pieter Teding van Berkhout and Jacob Roman paid to buildings in and around The Hague. For instance, when Roman was appointed intendant of the palace at the Noordeinde for the King of Prussia, the new owner, he took Pieter on an extensive tour of the palace and garden. And when, in 1705, Cornelis de Jonge van Ellemeet, who belonged to the inner circle of Pieter's friends in The Hague and frequently entertained him at his country house Duinrell, was planning to built a palatial mansion in Rotterdam, Pieter was quick to visit Roman to view the plans the architect had made for it. Later in 1709, still during the building process, Pieter and his family visited the house in Rotterdam, which was nearing completion and was already partly furnished. This time Roman did not accompany him. The last recorded joint visit of the two men to one of Roman's projects concerned a house in Delft belonging to Adriaan Boogaert, seigneur of Beloys, in May 1708. The last recorded contact between them took place in April 1711, a little over 18 months before Pieter's death.
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雅各布·罗曼和他与代尔夫特摄政王彼得·泰德·范·伯克豪特的关系
彼得·泰德·范·伯克豪特(1643-1713)的家族来自西弗里斯兰的霍恩镇,但在他出生的时候,他们已经搬到了海牙,在荷兰和西弗里斯兰省担任高级政府职务。他的母亲出生在代尔夫特一个重要的贵族家庭,母亲的亲戚为他在代尔夫特的事业打开了成功的大门。彼得婚后住在代尔夫特,并在适当的时候成为了市议会的成员和市长。他在整个成年生活中保存的日记揭示了他与建筑师雅各布·罗曼(1640-1716)的密切联系,雅各布·罗曼是17世纪后期的主要建筑师之一,首先是莱顿市的建筑师,后来是奥兰治国王威廉三世的建筑师。由于罗马在相对较少的来源中出现,Pieter的大量日记条目中提到建筑师不少于45次(见附录),揭示了他的职业生涯中一些迄今为止未知的事实。雅各布·罗曼并不是一名建筑师,而是跟随父亲的脚步成为了一名木雕师,他的主要技能是雕刻装饰装饰。正是在这种身份下,彼得·泰德·范·伯克豪特于1677年首次委托他在他的马车上进行装饰雕刻,这是海牙的工匠按照彼得的规格制作的。一年后,彼得想把钟上的装饰送给当时他是德尔夫港港长的德尔夫港。在这两种情况下,彼得在访问罗曼在海牙的工作室期间密切关注他的工作进展。然而不久之后,雅各布·罗曼将他的兴趣逐渐转向建筑(1681年最终放弃了他以前的职业)。这与彼得在1679年9月的日记中关于他自己、他的主人和朋友菲利普·道布莱特和雅各布·罗曼在克林根达尔讨论建筑主题的内容相吻合。几周后,罗曼拜访了彼得在代尔夫特的家,讨论了彼得关于自己建筑的一些计划。然而,当彼得于1681年至1683年在代尔夫特附近重建他的乡间别墅帕斯盖尔德时,罗马的角色肯定仅限于在更一般的方面提供建议,而没有实际参与规划和建设过程。同样,当彼得在1687-1689年对他在代尔夫特的别墅进行大规模改造时,罗马在那个时期访问代尔夫特讨论建筑问题的所有时间都是在彼得按照他自己制定的计划进行翻修的时候。然而,两人之间的关系蓬勃发展,因为彼得·泰德·范·伯克豪特对雅各布·罗曼参与的建筑项目表现出了明显的兴趣。我们第一次听到这个消息是在1686年2月,当时彼得在莱顿拜访了罗曼,看了后者为海尔卢设计的建筑,他在日记中用了很多词指定罗曼为海尔卢第一阶段建筑的建筑师(在其他资料中仍然不确定),尽管直到1689年,罗曼才成为威廉三世的官方建筑师。由于Pieter Teding van Berkhout对建筑和花园设计表现出极大的兴趣,在Roman的公司共同参观成为了一种受欢迎的消遣,尤其是在后来的几年里。例如,1700年,罗曼带彼得去了海牙国王的一些(未指明的)建筑,以及最近购买的波特兰伯爵汉斯·威廉·本廷克(Hans Willem Bentinck)位于Voorhout的房子,当时罗曼正在对其进行翻新。两年后,1702年2月,罗曼带着彼得参观了国王的另一位宠臣,阿尔伯马尔伯爵阿诺德·约斯特·范·吉佩尔的住所,该住所毗邻宾内霍夫庄园,根据彼得的日记,罗曼当时正在修缮庄园。罗曼的这两项活动在其他资料中都是未知的。那年晚些时候,彼得去了另一位朝臣威廉·阿德里安·范·拿索-奥迪克(Willem Adriaan van Nassau-Odijck)在广场上的房子,这一次罗曼不在,他是否受到后者的指使,从而可能表明他参与了可能的改造,这一点必须不得而知。但众所周知,Albemarle和Nassau-Odijck的乡村别墅De Voorst和Zeist都使用Roman作为建筑师。这并不是彼得·泰德·范·伯克胡特和雅各布·罗曼对海牙及其周边建筑的唯一访问。例如,当罗曼被新主人普鲁士国王任命为Noordeinde宫殿的总管时,他带着彼得参观了宫殿和花园。1705年,彼得在海牙的密友科内利斯·德·荣格·范·埃尔米特经常在他的乡间别墅杜内尔招待他,他打算在鹿特丹建造一座富丽堂皇的豪宅,彼得很快就去拜访了罗马,看了建筑师为它做的计划。
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来源期刊
OUD HOLLAND
OUD HOLLAND Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
33.30%
发文量
7
期刊介绍: The periodical Oud Holland is the oldest surviving art-historical periodical in the world. Founded by A.D. de Vries and N. der Roever in 1883, it has appeared virtually without interruption ever since. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century and has featured thousands of scholarly articles by Dutch and foreign authors, including numerous pioneering art-historical studies. Almost from the magazine’s inception, the publication of archival information concerning Dutch artists has played an important role. From 1885 to his death in 1946, the renowned art historian Dr. Abraham Bredius set a standard of excellence for Oud Holland.
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