Playing Upon the Blue Guitar: Toward Re-imaginings of the U.S. National Anthems

M. Scarlato
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Abstract

Drawing upon Maxine Greene’s concepts of wide awakeness and social imagination, I argue for the necessity of re-imagining “The Star-Spangled Banner” (U.S. national anthem) to account for a plurality of American perspectives and to de-legitimize ways in which racism and White privilege have dictated “correct interpretations” of the anthem throughout U.S. history. Toward these ends, in this essay I explore the patriotic re-imaginings of the U.S. national anthem by Black musicians Jimi Hendrix, René Marie, and Jon Batiste—two of whom incorporated “Lift Ev’ry Voice and Sing,” otherwise known as “the Black national anthem,” into their musical renderings. I also look reflexively at my experience with the song as a White American music teacher striving to work toward anti-racist pedagogy and engagements with patriotic music in the classroom. While there are a variety of musical recordings linked throughout the essay, I recommend that the reader view the three video recordings list below before reading the essay.
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在蓝色吉他上演奏:走向对美国国歌的重新想象
根据玛克辛·格林(Maxine Greene)关于广泛觉醒和社会想象力的概念,我认为有必要重新构想《星条旗永不下》(美国国歌),以解释美国人的多元化观点,并使种族主义和白人特权在美国历史上对国歌的“正确解释”合法化。为了达到这些目的,在这篇文章中,我探索了黑人音乐家吉米·亨德里克斯、雷恩·玛丽和乔恩·巴蒂斯特对美国国歌的爱国主义重新想象,他们中的两位将“举起你的声音,歌唱”,也被称为“黑人国歌”,融入到他们的音乐演绎中。作为一名致力于反种族主义教学法和课堂爱国音乐教学的美国白人音乐教师,我也本能地回顾了自己对这首歌的经历。虽然整篇文章中都有各种各样的音乐录音,但我建议读者在阅读这篇文章之前先看看下面列出的三个录音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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审稿时长
28 weeks
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