{"title":"Evaluating design vouchers in Scotland and the implications for design support in the United Kingdom and Europe","authors":"A. Whicher, P. Swiatek, L. Gaynor","doi":"10.1386/dbs_00027_1","DOIUrl":null,"url":null,"abstract":"In the decade 2010–19, design featured in 21 of the 28 European Union member states’ innovation policies according to the Bureau of European Design Associations. As we embark on a new decade, it appears that design’s influence within innovation policy and programmes may be waning. What does the design support landscape look like for the United Kingdom in a post-Brexit and post-COVID world? What lessons can be drawn from an evaluation of design vouchers in Scotland for the United Kingdom as a whole and possibly the rest of Europe? This article draws on the experience of User Factor – an EU-funded project on the future of design support in Europe through five knowledge exchange workshops with eight business support organizations as well as a design-led evaluation of the impact of ‘By Design’ vouchers in Scotland among participating companies. In the United Kingdom, the design support landscape is fragmented – design is part of the remit of all the devolved nations’ business support programmes; however, this landscape is complex for small companies to navigate. In Wales, Scotland and Northern Ireland, design support programmes are currently EU-funded, so it is unclear what programmes will look like after Brexit. ‘By Design’ is a light-touch grant for Scottish companies to access up to £5000 to work with design agencies. Over five years, 618 companies received the grant. The evaluation revealed that design is a relatively low-cost way for companies to innovate as 64 per cent of companies reported bringing a new product or service to market and 27 per cent entered new markets. Furthermore, after the grant, 83 per cent of companies continued to work with a design agency going on to invest £26,000 on average. This demonstrates that a small government grant of up to £5000 can stimulate a fivefold increase in investment. In 2020, design was back on the EU policy agenda as a driver of circular economy and the ‘New European Bauhaus’. Based on the evaluation of the Scottish design vouchers and knowledge exchange between the User Factor partners, we draw out a series of insights and implications for design support in the United Kingdom and across Europe.","PeriodicalId":36715,"journal":{"name":"Journal of Design, Business and Society","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Design, Business and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/dbs_00027_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
In the decade 2010–19, design featured in 21 of the 28 European Union member states’ innovation policies according to the Bureau of European Design Associations. As we embark on a new decade, it appears that design’s influence within innovation policy and programmes may be waning. What does the design support landscape look like for the United Kingdom in a post-Brexit and post-COVID world? What lessons can be drawn from an evaluation of design vouchers in Scotland for the United Kingdom as a whole and possibly the rest of Europe? This article draws on the experience of User Factor – an EU-funded project on the future of design support in Europe through five knowledge exchange workshops with eight business support organizations as well as a design-led evaluation of the impact of ‘By Design’ vouchers in Scotland among participating companies. In the United Kingdom, the design support landscape is fragmented – design is part of the remit of all the devolved nations’ business support programmes; however, this landscape is complex for small companies to navigate. In Wales, Scotland and Northern Ireland, design support programmes are currently EU-funded, so it is unclear what programmes will look like after Brexit. ‘By Design’ is a light-touch grant for Scottish companies to access up to £5000 to work with design agencies. Over five years, 618 companies received the grant. The evaluation revealed that design is a relatively low-cost way for companies to innovate as 64 per cent of companies reported bringing a new product or service to market and 27 per cent entered new markets. Furthermore, after the grant, 83 per cent of companies continued to work with a design agency going on to invest £26,000 on average. This demonstrates that a small government grant of up to £5000 can stimulate a fivefold increase in investment. In 2020, design was back on the EU policy agenda as a driver of circular economy and the ‘New European Bauhaus’. Based on the evaluation of the Scottish design vouchers and knowledge exchange between the User Factor partners, we draw out a series of insights and implications for design support in the United Kingdom and across Europe.
根据欧洲设计协会局(Bureau of European design Associations)的数据,在2010年至2019年的十年间,设计在28个欧盟成员国的创新政策中占据了21个席位。随着我们进入新的十年,设计在创新政策和项目中的影响力似乎正在减弱。在英国脱欧和新冠疫情后的世界里,英国的设计支持环境是什么样的?从对苏格兰设计券的评估中,我们可以为整个英国乃至整个欧洲吸取什么教训?本文借鉴了欧盟资助的“用户因素”项目的经验,该项目通过与八个商业支持组织的五次知识交流研讨会,以及在苏格兰参与公司中对“设计”券的影响进行的以设计为主导的评估,探讨了欧洲设计支持的未来。在英国,设计支持领域是碎片化的——设计是所有权力下放国家商业支持计划的一部分;然而,对于小公司来说,这一前景是复杂的。在威尔士、苏格兰和北爱尔兰,设计支持项目目前由欧盟资助,因此不清楚英国脱欧后这些项目会是什么样子。“通过设计”是一项小额资助,苏格兰公司可以获得高达5000英镑的资金与设计机构合作。五年来,共有618家公司获得了资助。评估显示,设计是企业创新的一种相对低成本的方式,64%的企业表示将新产品或服务推向市场,27%的企业进入了新市场。此外,在获得拨款后,83%的公司继续与一家设计机构合作,平均投资2.6万英镑。这表明,高达5000英镑的小额政府拨款可以刺激投资增长五倍。2020年,设计作为循环经济和“新欧洲包豪斯”的驱动力重新回到了欧盟的政策议程上。基于对苏格兰设计凭证的评估和用户因素合作伙伴之间的知识交流,我们得出了一系列对英国和整个欧洲设计支持的见解和启示。