Queer Migration and the Performance of Crime and Illegality

Q2 Social Sciences Contention Pub Date : 2023-06-01 DOI:10.3167/cont.2023.110102
Matthew Abbey
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Abstract

In this article, I focus on how activism and art disrupt the necessity of queer migrants having to perform the role of the “good,” law-abiding migrant who desires inclusion into the nation. More specifically, I analyze how performing crime and illegality challenges the necessity of queer migrants who claim asylum adhering to stereotypes of vulnerability so as to be seen as deserving of legal status. First, I examine the #Rockumenta activism by LGBTQIA+ Refugees Welcome to understand how queer migrants engage with criminality to avoid being silenced. Next, I explore the photography series I Am Illegal by an anonymous artist to understand how queer migrants challenge the designation of illegality by immigration regimes. Instead of trying to prove anything to the viewer about queer migrants, I suggest both activist and artistic interventions shift the focus toward the inherent violence of immigration regimes.
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酷儿移民与犯罪与非法性的表现
在这篇文章中,我关注的是行动主义和艺术是如何打破酷儿移民必须扮演“好”、守法、渴望融入国家的移民角色的必要性的。更具体地说,我分析了犯罪和非法行为是如何挑战酷儿移民的必要性的,他们要求庇护,坚持脆弱的刻板印象,以便被视为应该获得合法地位。首先,我考察了LGBTQIA+ Refugees Welcome发起的#Rockumenta活动,以了解酷儿移民如何参与犯罪活动以避免被噤声。接下来,我将探讨一位匿名艺术家的摄影系列《我是非法的》,以了解酷儿移民如何挑战移民政权对非法的定义。与其试图向观众证明关于酷儿移民的任何事情,我建议活动家和艺术干预将焦点转移到移民政权固有的暴力上。
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来源期刊
Contention
Contention Social Sciences-Cultural Studies
CiteScore
1.60
自引率
0.00%
发文量
13
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