THE DISEASE OF MORTALITY IN HESIOD'S THEOGONY: PROMETHEUS, HERAKLES, AND THE INVENTION OF KLEOS

IF 0.2 4区 历史学 0 CLASSICS RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE Pub Date : 2016-05-06 DOI:10.1017/rmu.2016.1
Melissa Mueller
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引用次数: 3

Abstract

Hesiod's Theogony is not overtly concerned with the world of mortals. The place of humans in the Theogony nevertheless holds a certain fascination, perhaps more for what is not revealed—our origins, for example—than for what is. Focusing on a relatively neglected passage of the poem (Theogony 521-32), I want to trace here the way Hesiod lays out the cosmic coordinates of kleos (‘fame’ or ‘glory’) with a view to better situating the condition of mortality within the poem as a whole. Kleos, as we will see, is part of the fallout for humans of the battle of wits between Zeus and Prometheus: it is the compensation for their new, temporally inflected existence.
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赫西奥德神制中的死亡之病:普罗米修斯、赫拉克勒斯和克勒斯的发明
赫西奥德的《神权论》并没有明显地关注凡人世界。然而,人类在神权论中的地位仍然具有一定的魅力,也许更多的是因为没有揭示的东西——比如我们的起源——而不是揭示的东西。聚焦于诗中一个相对被忽视的段落(Theogony 521-32),我想在这里追溯赫西奥德如何布置kleos(“名声”或“荣耀”)的宇宙坐标,以便更好地将死亡的状况置于整首诗中。正如我们将看到的,克勒斯是宙斯和普罗米修斯斗智斗智对人类的影响的一部分:它是对人类新的、暂时被扭曲的存在的补偿。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
7
期刊最新文献
CONFLICT, TRAGEDY, AND INTERRACIALITY: BOB THOMPSON PAINTS VERGIL'S CAMILLA THE THIRD LIFECYCLE OF PHILOKLEON IN ARISTOPHANES’ WASPS METAGENRE AND THE COMPETENT AUDIENCE OF PLAUTUS’ CAPTIVI ERASING THE AETHIOPIAN IN CICERO'S POST REDITUM IN SENATU RMU volume 51 issue 2 Cover and Back matter
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