SITUATING SCAMANDER: ‘NATURECULTURE’ IN THE ILIAD

IF 0.2 4区 历史学 0 CLASSICS RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE Pub Date : 2015-11-27 DOI:10.1017/RMU.2015.2
B. Holmes
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引用次数: 9

Abstract

The true subject of the Iliad, Simone Weil famously wrote, is force. Time and again, ‘the human spirit is shown as modified by its relation with force, as swept away, blinded, by the very force it imagined it could handle, as deformed by the weight of the force it submits to’. Force turns men, perpetrators of violence and its victims alike, into things: objectification is its bane. Homer's clarity about the moral degradation of war, that machine of force, is what makes him, in Weil's accounting, not just the first but the greatest of poets.
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《伊利亚特》中的“自然文化”
西蒙娜·薇依有句名言:《伊利亚特》的真正主题是武力。一次又一次地,“人类的精神被它与力量的关系所改变,被它自以为能驾驭的力量所冲昏,蒙蔽,被它所屈从的力量的重量所扭曲”。武力把施暴者和受害者都变成了东西:物化是它的祸根。在威尔的描述中,荷马对战争的道德堕落,对武力机器的清晰描述,使他不仅是第一位诗人,而且是最伟大的诗人。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
7
期刊最新文献
CONFLICT, TRAGEDY, AND INTERRACIALITY: BOB THOMPSON PAINTS VERGIL'S CAMILLA THE THIRD LIFECYCLE OF PHILOKLEON IN ARISTOPHANES’ WASPS METAGENRE AND THE COMPETENT AUDIENCE OF PLAUTUS’ CAPTIVI ERASING THE AETHIOPIAN IN CICERO'S POST REDITUM IN SENATU RMU volume 51 issue 2 Cover and Back matter
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