{"title":"Mito y catástrofe. Personajes y paisajes en Werner Herzog y el cine latinoamericano contemporáneo","authors":"D. González","doi":"10.32870/CYS.V0I32.6952","DOIUrl":null,"url":null,"abstract":"The relationship between myth and catastrophe can help us to understand Werner Herzog’s cinematography. Taking this relationship as a reference, and analyzing character and landscape narrative, I will compare Herzog’s cinematography with some films coming from contemporary Latin-American cinema to show that, even if these films resound with the catastrophe language of the German director, they objectivize catastrophe to the extent of demystification.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comunicacion y Sociedad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32870/CYS.V0I32.6952","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
The relationship between myth and catastrophe can help us to understand Werner Herzog’s cinematography. Taking this relationship as a reference, and analyzing character and landscape narrative, I will compare Herzog’s cinematography with some films coming from contemporary Latin-American cinema to show that, even if these films resound with the catastrophe language of the German director, they objectivize catastrophe to the extent of demystification.
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