Farming on Facebook, Camera-less Food Photography and a New Indian Pastoral

Aileen Blaney
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Abstract

Lacunae in media images and reports of death and agrarian based suffering, experienced by India's debt prone farmers, have only begun to be addressed in the Indian news media. While the agrarian crisis is spectacularized through 24 hour news cycle images, analysis of underlying causes is less common in print and digital media. Kheti Badi, a photo-series produced from screenshots of FarmVille (an Adobe Flash gaming application on Facebook), interrogates this media impasse. It critiques homogenized images of food and farming, which rise to the top of web search results, and photojournalistic images showing the dignified suffering of Indian agricultural workers. Kheti Badi's computer made images are an alternative to visual stereotyping of rural India in photojournalism. Its technological inventiveness neither spectacularizes farmer protests or suicides nor aestheticizes pastoral qualities associated with the land. To make visible the changing nature of food production and need to reform farming in India, and its media coverage, Kheti Badi supplants the Indian pastoral with a new pictorial.
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Facebook上的农业,无相机的食物摄影和新的印度田园
印度新闻媒体刚刚开始处理媒体形象和报道中关于印度易负债农民所经历的死亡和农业痛苦的缺失。虽然农业危机通过24小时的新闻循环图像引人注目,但对潜在原因的分析在印刷和数字媒体上并不常见。Kheti Badi是根据《FarmVille》(Facebook上的一款Adobe Flash游戏应用)的截图制作的一系列照片,对这种媒体僵局提出了质疑。它批评了在网络搜索结果中名列前茅的同质化的食品和农业图片,以及展示印度农业工人尊严的苦难的新闻摄影图片。Kheti Badi的电脑图像是新闻摄影中印度农村视觉刻板印象的另一种选择。它的技术创新既没有让农民抗议或自杀变得壮观,也没有美化与土地相关的田园品质。为了让人们看到印度不断变化的粮食生产性质和改革农业的必要性,以及印度的媒体报道,Kheti Badi用一幅新的图画取代了印度的田园风光。
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