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Abstract

The article is devoted to one of the brightest phenomena of Brazilian culture – theater, which, for a number of objective reasons, is much less known abroad than its other areas. The genesis and main stages of the evolution of the dramaturgy and theatrical art of Brazil over the course of five centuries of its existence are briefly considered. The extremely important role of the Week of Modern Art, held in Sao Paulo in 1922, which marked the birth of Brazilian modernism, which radically influenced the entire subsequent cultural process, is emphasized. Particular attention is paid to the formation and development of the democratic tradition that has dominated the Brazilian theater since its inception to this day. The phenomenon of the «new theater» in various forms of its manifestation is considered. The theatrical theory and practice of one of the charismatic figures of the Brazilian culture of the 20th century, Augusto Boal, is analyzed. Attention is focused on the names of the country’s most famous playwrights, and as an example, some of the most striking theatrical productions that are firmly included in the «golden fund» of national culture are analyzed.
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通过艰苦奋斗到达星星
这篇文章专门讨论巴西文化中最耀眼的现象之一——戏剧,由于一些客观原因,它在国外的知名度远低于其他地区。简要地考虑了巴西五个世纪以来戏剧和戏剧艺术演变的起源和主要阶段。1922年在圣保罗举行的现代艺术周的极其重要的作用,标志着巴西现代主义的诞生,从根本上影响了整个随后的文化进程,强调。特别关注的是民主传统的形成和发展,这一传统自巴西剧院成立至今一直主导着它。对“新戏剧”现象的各种表现形式进行了探讨。分析了20世纪巴西文化的魅力人物之一奥古斯托·波尔的戏剧理论和实践。人们的注意力集中在这个国家最著名的剧作家的名字上,作为一个例子,一些最引人注目的戏剧作品被牢牢地列入了民族文化的“黄金基金”。
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