Writing out of Ruins

Q3 Arts and Humanities Matatu Pub Date : 2018-06-14 DOI:10.1163/18757421-05001004
S. Viljoen
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Abstract

This hybrid autobiographical/critical paper takes its cue from Yvonne Owuor’s paper in this volume, “Reading our Ruins: A Rough Sketch.” In her piece, Owuor combines a meditation on ruins—as physical, human, social and political—with the perspective of an autopsy, or “seeing for oneself”. In my paper I try to “see for myself” and in myself what it means to consider the ruins of District Six and the responses, individual and institutional, to its violent destruction. More specifically, I try to account for a recent oral history project completed by the District Six Museum which resulted in the writing of a food story and cookbook, District Six Huis Kombuis Tafel: Food and Memory Stories Cookbook (2016). My paper intersperses this critical account with italicised fragments of my own memoir (a work in progress) on District Six, apartheid’s psychic violence, home and food, that relate directly or tangentially to the critical segments. The memoir fragments provide a parallel tale of inner life that at times relates to and supplements the critical discourse, but also at times casts it into doubt.
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在废墟中书写
这篇混合了自传体和批判性的论文的灵感来自于伊冯娜·奥沃尔的论文《阅读我们的废墟:一个粗略的草图》。在她的作品中,奥沃尔结合了对废墟的沉思——从物理的、人类的、社会的和政治的角度——以及尸检的视角,或者“自己看”。在我的论文中,我试图“亲眼看看”,在我自己身上,思考第六区的废墟以及个人和机构对其暴力破坏的反应意味着什么。更具体地说,我试图解释最近由第六区博物馆完成的口述历史项目,该项目导致了一本食物故事和食谱的写作,第六区回族Kombuis Tafel:食物和记忆故事食谱(2016)。我的论文中穿插了我自己关于第六区、种族隔离的精神暴力、家庭和食物的回忆录(正在进行中)的斜体片段,这些片段直接或间接地与关键部分相关。回忆录的片段提供了一个内心生活的平行故事,有时与批评话语相关并补充,但有时也使其受到质疑。
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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