The Black Feminism Remix Lab: on Black feminist joy, ambivalence and futures

IF 0.7 0 HUMANITIES, MULTIDISCIPLINARY Culture Theory and Critique Pub Date : 2021-12-16 DOI:10.1080/14735784.2021.1984971
Francesca Sobande, A. Emejulu
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引用次数: 3

Abstract

We began to work together in 2016 as two of the co-organisers of the fi rst Black Feminism, Womanism, and the Politics of Women of Colour in Europe symposium at the University of Edinburgh in September 2016. Buoyed by the momentum that followed the Black Feminism, Womanism, and the Politics of Women of Colour in Europe events in Amsterdam in 2017 and Berlin in 2018, we sought out di ff erent ways to critically consider, uphold, and archive Black feminist work. This culminated in our idea for the Black Feminism Remix Lab. Remixing is an open-ended and non-linear process that always involves both a nod to the past (what came before which is being remixed) and the development of something di ff erent that captures part of the present (the ongoing outcomes of the remixing process). An approach to co- creating a manifesto that is rooted in remixing is a rich way to re fl ect on the relationship between present-day Black feminist e ff orts, past Black feminist work and Black feminist futurities yet to be imagined. In this short article, we critically re fl ect on our desire to work with Black feminist activists across Europe to co- author a manifesto on Black feminist politics.
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黑人女权主义混音实验室:黑人女权主义的喜悦,矛盾心理和未来
我们于2016年开始合作,作为2016年9月在爱丁堡大学举办的第一届黑人女权主义、女性主义和欧洲有色人种女性政治研讨会的共同组织者。在2017年阿姆斯特丹和2018年柏林的黑人女权主义、女性主义和欧洲有色人种女性政治活动之后的势头推动下,我们寻找了不同的方式来批判性地思考、维护和存档黑人女权主义作品。这在我们建立黑人女权主义混音实验室的想法中达到了顶峰。混音是一个开放式的非线性过程,它总是涉及到对过去的认可(之前发生的东西被混音)和捕捉部分现在的不同事物的发展(混音过程的持续结果)。共同创作一份根植于混音的宣言是一种丰富的方式,可以反映当今黑人女权主义努力、过去黑人女权主义工作和尚未想象的黑人女权主义未来之间的关系。在这篇短文中,我们批判性地反思了我们与欧洲各地的黑人女权主义者合作,共同撰写黑人女权主义政治宣言的愿望。
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来源期刊
Culture Theory and Critique
Culture Theory and Critique HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.20
自引率
25.00%
发文量
6
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