Untangling Fact, Fiction, Fantasy—and Outright Lies: Compilation Films as Archival Piracy

Dale Hudson
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Abstract

Abstract:Films compiled from archival footage unsettle assumptions about film and photography’s ability to capture truth—and the archive’s ability to contain it—through a critical practice of pirating. Sandhya Suri’s Around India with a Movie Camera, Rona Sela’s Looted and Hidden: Palestinian Archives in Israel, and Kamal Aljafari’s Recollection manipulate images from archives to expose the technical and institutional manipulations within colonial propaganda, posing questions about how and when visual evidence becomes truth, with implications for mobile phone eyewitness videos today—and also deepfakes in viral disinformation.
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拆解事实、虚构、幻想和彻头彻尾的谎言:汇编电影作为档案盗版
摘要:通过盗版的关键实践,从档案镜头中剪辑而成的电影动摇了人们对电影和摄影捕捉真相的能力——以及档案馆包含真相的能力——的假设。Sandhya Suri的《用电影摄影机周游印度》,Rona Sela的《被掠夺和隐藏:以色列的巴勒斯坦档案》,以及Kamal Aljafari的《回忆》,利用档案中的图像,揭露了殖民宣传中的技术和制度操纵,提出了视觉证据如何以及何时成为真相的问题,这对今天的手机目击者视频也有影响,同时也加深了病毒式传播的虚假信息。
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