Voicing a Transnational Latina Poetics: The Dedication Poems of Amelia Denis and Carlota Gutierrez

IF 0.1 0 LITERATURE, AMERICAN J19-The Journal of Nineteenth-Century Americanists Pub Date : 2020-12-07 DOI:10.1353/jnc.2020.0016
V. Perez
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引用次数: 1

Abstract

Abstract:This article explores the transnational and gendered aspects of nineteenth-century poem dedications authored by women in Spanish-language newspapers. These intimate exchanges routinely contaminated the public sphere with very personal missives, resulting in the development of a genre that was both socially performative and literary. The article considers a previously unstudied exchange between the Central American poet Amelia Denis and the Mexican-American poet Carlota S. Gutierrez as a flashpoint for thinking through these issues. In September of 1875, Denis dedicated a poem “A la Señorita Carlota S. Gutierrez” in the San Salvador newspaper La America Central. Gutierrez published her response in May of 1876 in La Crónica of Los Angeles, with the title: “A la Inspirada Poetisa Columbiana Amelia Denis.” Their poems express intense admiration for one another via the articulation of a collaborative and gendered ars poetica. They also emphasize Latinx identity as playing a part in creativity, Denis referring to Gutierrez’s poetry as “flower of Mexican soil.” While the industrialized production and circulation of paper media puts women across continents in contact, my study contends that it is the unique form of the poem dedication that makes this precarious and gendered performance of panlatinidad possible in the nineteenth century.
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拉丁裔跨国诗学的发声:阿梅莉亚·丹尼斯和卡洛塔·古铁雷斯的奉献诗
摘要:本文探讨了19世纪西班牙语报纸上女性诗歌奉献的跨国和性别方面。这些亲密的交流经常用非常私人的信件污染公共领域,导致一种既具有社会表演性又具有文学性的体裁的发展。这篇文章认为,中美洲诗人阿米莉亚·丹尼斯与墨西哥裔美国诗人卡洛塔·s·古铁雷斯之间的一次未曾被研究过的交流,是思考这些问题的一个引爆点。1875年9月,丹尼斯在圣萨尔瓦多报纸la America Central上发表了一首诗“a la Señorita Carlota S. Gutierrez”。古特雷斯于1876年5月在洛杉矶的La Crónica上发表了她的回应,标题是:“A La Inspirada Poetisa Columbiana Amelia Denis”。他们的诗歌表达了对彼此的强烈钦佩通过一种合作的和性别化的诗歌表达。他们还强调拉丁人的身份在创造力中发挥着作用,丹尼斯将古铁雷斯的诗歌称为“墨西哥土地上的花朵”。虽然纸媒的工业化生产和流通使各大洲的女性得以接触,但我的研究认为,正是这种独特的诗歌奉献形式,使19世纪这种不稳定的、性别化的panlatinidad表现成为可能。
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