{"title":"Women and the Language of Statistics in Late-Nineteenth-Century France","authors":"Helen Perivier, Rebecca M. Rogers","doi":"10.3167/fpcs.2019.370301","DOIUrl":null,"url":null,"abstract":"This article considers how women adopted a “scientific” statistical language at the end of the nineteenth century to draw attention to their role in the moral and social economy. It explores in particular the messages contained in La Statistique générale de la femme française, a series of eighteen murals that the moderate feminist Marie Pégard sent for exhibition at the Woman’s Building at the Chicago World’s Fair in 1893. The article begins by considering the place statistics held in France in the final decades of the century within the context of universal exhibitions. It then examines Pégard’s choice of quantified categories of social analysis to convey a sustained argument about the comparative weight of women in a modernizing French economy. The article seeks to understand how contemporaries read and interpreted the graphs, and how this mode of rendering visible the issue of women’s work played into the politics of an emerging feminist movement.","PeriodicalId":35271,"journal":{"name":"French Politics, Culture & Society","volume":"46 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Politics, Culture & Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/fpcs.2019.370301","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
This article considers how women adopted a “scientific” statistical language at the end of the nineteenth century to draw attention to their role in the moral and social economy. It explores in particular the messages contained in La Statistique générale de la femme française, a series of eighteen murals that the moderate feminist Marie Pégard sent for exhibition at the Woman’s Building at the Chicago World’s Fair in 1893. The article begins by considering the place statistics held in France in the final decades of the century within the context of universal exhibitions. It then examines Pégard’s choice of quantified categories of social analysis to convey a sustained argument about the comparative weight of women in a modernizing French economy. The article seeks to understand how contemporaries read and interpreted the graphs, and how this mode of rendering visible the issue of women’s work played into the politics of an emerging feminist movement.
这篇文章考虑了女性如何在19世纪末采用一种“科学的”统计语言来引起人们对她们在道德和社会经济中的作用的关注。它特别探讨了《La statisque gsamnsamrale de La femme francaise》中所包含的信息,这是一组18幅壁画,由温和的女权主义者Marie psamiard在1893年芝加哥世界博览会的妇女大厦展出。文章首先考虑的地方统计在法国举行的最后几十年在世界展览的背景下,世纪。然后,它考察了psamard对社会分析的量化分类的选择,以传达一个关于女性在现代化的法国经济中相对重要性的持续论点。本文试图理解同时代人是如何阅读和解释这些图表的,以及这种将女性工作问题呈现出来的模式如何在新兴的女权主义运动中发挥政治作用。
期刊介绍:
French Politics, Culture & Society explores modern and contemporary France from the perspectives of the social sciences, history, and cultural analysis. It also examines France''s relationship to the larger world, especially Europe, the United States, and the former French Empire. The editors also welcome pieces on recent debates and events, as well as articles that explore the connections between French society and cultural expression of all sorts (such as art, film, literature, and popular culture). Issues devoted to a single theme appear from time to time. With refereed research articles, timely essays, and reviews of books in many disciplines, French Politics, Culture & Society provides a forum for learned opinion and the latest scholarship on France.