{"title":"Mediated Fire and Distant Suffering: The Global Spectacle of Australian Bushfires in Nature 2.0","authors":"W. Zhang, Jingjing Yi","doi":"10.1080/17524032.2023.2195100","DOIUrl":null,"url":null,"abstract":"ABSTRACT\n The present study collected 10,233 tweets from 193 countries regarding the Australian bushfires from June 1, 2019, to May 13, 2020. Based on the theoretical framework of spectacular environmentalism, distant suffering, and construal level theory, this study explores the spectacle of Australian bushfires in the context of nature 2.0. With the help of the STM, four conclusions are found: the Australian bushfires are a global spectacle co-created by media and audience using five different frames; the spectacle of the Australian bushfires is a metaphor for the end of the world; in the process of creating the Australian bushfires spectacle with media, humans’ relationships with animals, others, and nature have been reconstructed; and Web 2.0 technology does not exceed the limitations of time and space as expected. Social, spatial, and temporal distances still affect the construction of environmental spectacles.","PeriodicalId":54205,"journal":{"name":"Environmental Communication-A Journal of Nature and Culture","volume":"36 1","pages":"386 - 406"},"PeriodicalIF":3.0000,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Environmental Communication-A Journal of Nature and Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/17524032.2023.2195100","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT
The present study collected 10,233 tweets from 193 countries regarding the Australian bushfires from June 1, 2019, to May 13, 2020. Based on the theoretical framework of spectacular environmentalism, distant suffering, and construal level theory, this study explores the spectacle of Australian bushfires in the context of nature 2.0. With the help of the STM, four conclusions are found: the Australian bushfires are a global spectacle co-created by media and audience using five different frames; the spectacle of the Australian bushfires is a metaphor for the end of the world; in the process of creating the Australian bushfires spectacle with media, humans’ relationships with animals, others, and nature have been reconstructed; and Web 2.0 technology does not exceed the limitations of time and space as expected. Social, spatial, and temporal distances still affect the construction of environmental spectacles.
期刊介绍：
Environmental Communication is an international, peer-reviewed forum for multidisciplinary research and analysis assessing the many intersections among communication, media, society, and environmental issues. These include but are not limited to debates over climate change, natural resources, sustainability, conservation, wildlife, ecosystems, water, environmental health, food and agriculture, energy, and emerging technologies. Submissions should contribute to our understanding of scientific controversies, political developments, policy solutions, institutional change, cultural trends, media portrayals, public opinion and participation, and/or professional decisions. Articles often seek to bridge gaps between theory and practice, and are written in a style that is broadly accessible and engaging.
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