Traços ensaísticos na construção da narrativa fílmica

Abstract

This article discusses the essay film and the essayist cinema as methods of elaboration of the film narrative, present more directly in the documentary Sertao de acrilico azul piscina (2004), of Karim Ainouz and Marcelo Gomes, and of subjective form in the long Viajo porque preciso, volto porque te amo (2009), by the same directors. He also asks how this construction tends to a narrative intersection, at the junction of several layers and territories of the cinema.