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Doc OnLine Revista Digital de Cinema Documentario最新文献

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5 EVERYWHERE AND NOWHERE 无处不在
Pub Date : 2022-01-01 DOI: 10.36019/9780813596303-006
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引用次数: 0
FURTHER READING 进一步的阅读
Pub Date : 2022-01-01 DOI: 10.36019/9780813596303-008
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引用次数: 0
3 CHEATING PHYSICS 3作弊物理
Pub Date : 2022-01-01 DOI: 10.36019/9780813596303-004
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引用次数: 0
Frontmatter
Pub Date : 2022-01-01 DOI: 10.36019/9780813596303-fm
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引用次数: 0
2 REASONS FOR REALISM 现实主义的两个理由
Pub Date : 2022-01-01 DOI: 10.36019/9780813596303-003
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引用次数: 0
1 CINEMA AS CONSTRUCTION Then and Now 电影作为建筑的过去和现在
Pub Date : 2022-01-01 DOI: 10.36019/9780813596303-002
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引用次数: 0
4 BEYOND CINEMA 4超越电影院
Pub Date : 2022-01-01 DOI: 10.36019/9780813596303-005
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引用次数: 0
WORKS CITED 作品的引用
Pub Date : 2022-01-01 DOI: 10.36019/9780813596303-009
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引用次数: 0
Do vídeo-ativismo à Vía Digital: uma nova década do documentário argentino 从视频行动主义到数字:阿根廷纪录片的新十年
Pub Date : 2019-03-29 DOI: 10.20287/DOC.D25.DT04
M. Wainmayer
Between 2007 and 2015, the production of documentaries in Argentina reached the greatest number and diversity in its history due to the creation of a call for low budget works in digital formats. To a large extent, these measures were the result of pressures coming from groups of documentary filmmakers that emerged in the heat of the December 2001 crisis, calling for the democratization of access to resources.
在2007年至2015年期间,阿根廷纪录片的制作数量和多样性达到了历史上的最高水平,这得益于对低成本数字格式作品的呼吁。在很大程度上,这些措施是迫于2001年12月危机最严重时出现的纪录片制片人团体的压力,他们呼吁资源获取的民主化。
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引用次数: 0
Da lágrima à resistência: o clamor ético das vítimas e a potência política do rosto exposto como imagem 从泪水到抵抗:受害者的道德呼声和作为形象暴露的面孔的政治力量
Pub Date : 2019-03-29 DOI: 10.20287/doc.d25.dt03
Frederico Vieira, R. L. Filho
The present article results from an attempt to approach and reflect on some concepts of the thought of Levinas, Butler and Barthes for a political view of images, especially those that expose faces and bodies victimized by violence. To do so, we focus on an ethical perspective of portraiture, considering the political power that revisits the suffering of the victims of the Brazilian civil-military dictatorship may spur us on. The documentary film Retratos de identificacao provides us with two mugshots of the faces of Chael Charles Schreier and Maria Auxiliadora Lara Barcelos, the Dora, two young victims of that exceptional regime. In electing these two photographic records, we exposed them to the reflection developed by the said philosophers, so that we could understand the political and ethical dimensions of the images of these two violated but inescapable faces.
本文试图探讨和反思列维纳斯、巴特勒和巴特的政治形象观思想中的一些概念,特别是那些暴露遭受暴力侵害的面孔和身体的概念。为了做到这一点,我们将重点放在肖像的道德视角上,考虑到重新审视巴西文武独裁的受害者所遭受的痛苦的政治力量可能会激励我们。纪录片《身份还原》(Retratos de identificacao)为我们提供了两张面部照片,照片上是那个特殊政权的两名年轻受害者,分别是Chael Charles Schreier和Maria Auxiliadora Lara Barcelos。在选择这两张摄影记录时,我们将它们暴露在上述哲学家的反思中,以便我们能够理解这两张被侵犯但不可避免的面孔的图像的政治和伦理维度。
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引用次数: 0
期刊
Doc OnLine Revista Digital de Cinema Documentario
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