{"title":"Susan Sontag. Escritura, cinefilia y el cine como dispositivo de pensamiento crítico","authors":"Luis Valenzuela Prado","doi":"10.7764/aisth.66.19","DOIUrl":null,"url":null,"abstract":"El trabajo ensayistico de Susan Sontag se basa en la tension y discusion critica entre estetica, cultura, moral y politica. En ese sentido, se vale de diversos objetos, disciplinas y teorias desde los cuales erige su pensamiento. Uno de estos es el cine, que opera como cinefilia, en tanto “specific kind of love that cinema inspired”, y como dispositivo politico que da cuenta de la decadencia del cine, pero a la vez de su espesor cultural e historico. En esa linea, este articulo realiza una revision bibliografica del trabajo ensayistico de Susan Sontag en torno al cine y la cinefilia. Desde ahi, se busca articular una reflexion en torno al cine como dispositivo de escritura y pensamiento critico y teorico.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2020-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/aisth.66.19","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
El trabajo ensayistico de Susan Sontag se basa en la tension y discusion critica entre estetica, cultura, moral y politica. En ese sentido, se vale de diversos objetos, disciplinas y teorias desde los cuales erige su pensamiento. Uno de estos es el cine, que opera como cinefilia, en tanto “specific kind of love that cinema inspired”, y como dispositivo politico que da cuenta de la decadencia del cine, pero a la vez de su espesor cultural e historico. En esa linea, este articulo realiza una revision bibliografica del trabajo ensayistico de Susan Sontag en torno al cine y la cinefilia. Desde ahi, se busca articular una reflexion en torno al cine como dispositivo de escritura y pensamiento critico y teorico.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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