In The Name of “Like This”: The Appropriation of Artwork In Digital Age

P. Nasution, M. Ghani
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Abstract

The rapidly growing and massive information age in digital media platforms has created and introduced cultural ramifications on various aspects of human life.The ongoing era of globalization of the twentieth century has fuel the capabilityin digitizing and manipulating information during traffic. Cultural growth in thenew age includes: ―cultural preservation as the main ingredient of the ordinary‖;the proliferation of electronic visual images; and the construction of amultifaceted and the individual identity or social imaginary. The artworkcurrently is glorifying so many appropriations practices. All the art creations i nthe code of conduct are suitable for one aspiration, and that is the digital aestheticmarket. It is now customary to gather on the variety of artistic creations fromdifferent cultures that are appropriated as new and authentic artwork. Thus, thisarticle discusses the appropriation for the artwork in the rise of the digital mediaplatform era. This paper is an anthropological study that refers to the interpretivereflexive paradigm as the analysis of path-work. Digital media is the unit of analysis in this study.
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以“像这样”的名义:数字时代艺术作品的挪用
数字媒体平台的快速发展和海量信息时代已经在人类生活的各个方面创造并引入了文化影响。20世纪持续的全球化时代推动了交通信息数字化和操纵的能力。新时代的文化成长包括:—以文化保存为主要成分的普通‖;电子视觉影像的泛滥;而建构的多面性又与个人身份或社会想象有关。艺术品目前正在美化如此多的拨款做法。所有行为准则下的艺术创作,都适合于一个诉求,那就是数字美学市场。现在的习惯是收集来自不同文化的各种艺术创作,并将其作为新的和真实的艺术品。因此,本文探讨了数字媒体平台时代兴起中艺术作品的挪用问题。本文是一项将解释-反思范式作为路径分析的人类学研究。数字媒体是本研究的分析单位。
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