Hemingway's The Sun Also Rises: The Centrality of Jake's Paris

Donald A. Daiker
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Abstract

Abstract:Paris, France, the setting of the first third of The Sun Also Rises, is central not simply to Book One but to the novel's entirety. Although early critics have seen the city as a wasteland populated by aimless and degenerate expatriates, I argue that Jake's Paris is orderly and his life there pleasant, patterned, and purposeful. Jake has made the French language his own and Paris, a "good town," his home—in part through a job he values and friends he has won through his generosity and warm sense of humor. When Jake leaves Paris, the city is not left behind. The Paris happenings reverberate throughout key scenes in Bayonne, France and Burguete, Pamplona, and San Sebastian, Spain. These echo scenes chart the progress of Jake's evolving relationship with Lady Brett Ashley. They show Jake's growing control, his assuming the dominance that Brett had earlier exercised. Together, these echo scenes make clear that Jake's Paris holds the key not only to Book One but to the novel as a whole.
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海明威的《太阳照常升起:杰克的巴黎的中心》
摘要:《太阳照常升起》前三分之一的故事背景是法国巴黎,它不仅是《太阳照常升起》第一卷的中心,也是整部小说的中心。尽管早期的批评家认为巴黎是一片由漫无目的和堕落的外籍人士居住的荒地,但我认为杰克的巴黎是有序的,他在那里的生活是愉快的,有模式的,有目的的。杰克把法语变成了自己的语言,把巴黎这个“好城市”当成了自己的家——部分原因在于他看重的工作,以及他的慷慨和温暖的幽默感赢得的朋友。当杰克离开巴黎时,这座城市并没有被抛在后面。巴黎事件在法国巴约纳、西班牙潘普洛纳和圣塞瓦斯蒂安的关键场景中不断回响。这些呼应的场景描绘了杰克与布雷特·阿什利女士之间不断发展的关系。这些照片显示了杰克的控制力在增强,他接管了布雷特之前的统治地位。总之,这些呼应的场景清楚地表明,杰克的巴黎不仅是第一本书的关键,也是整部小说的关键。
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Hemingway’s Boys Are “Injustice Everywhere”: Confronting Race and Racism in Hemingway’s The Sun Also Rises Remembering Charles M. “Tod” Oliver: Founding Editor, The Hemingway Review 1932–2022 Constructions of Race and Revolution in Ernest Hemingway’s “The Porter” Reading Hemingway’s The Garden of Eden: Glossary and Commentary by Carl P. Eby (review)
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