Pop Music and the Search for the Numinous: Exploring the Emergence of the “Secular Hymn” in Post-Modern Culture

IF 0.7 0 RELIGION Journal of Media and Religion Pub Date : 2016-07-02 DOI:10.1080/15348423.2016.1209392
Steven R. Thomsen, Quint Randle, Matthew J Lewis
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引用次数: 2

Abstract

ABSTRACT A growing body of research suggests that traditional religious institutions are failing to meet the spiritual needs of their adherents, who are now abandoning traditional worship and turning to pop music to fill the void. This article defines and explores the phenomenon of the “secular hymn.” While nonreligious in nature or intent, the secular hymn is a pop song that allows the listener to experience the numinous by creating an affective state that parallels a spiritual or religious state of mind. This article outlines the phenomenon of the secular hymn in pop culture, defines its characteristics, and evaluates several pop songs against these criteria. While some secular hymns may be used in some church settings, the overall trend may exemplify the continuing erosion of traditional religion and the use of explicitly religious music in both public and private settings.
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流行音乐与对灵性的追寻:探索后现代文化中“世俗圣歌”的出现
越来越多的研究表明,传统的宗教机构无法满足其信徒的精神需求,他们现在正在放弃传统的崇拜,转而用流行音乐来填补空虚。本文对“世俗圣歌”现象进行了界定和探讨。世俗圣歌是一种流行歌曲,它通过创造一种与精神或宗教状态相似的情感状态,让听者体验到灵性的境界。本文概述了流行文化中的世俗圣歌现象,定义了其特征,并根据这些标准对几首流行歌曲进行了评价。虽然一些世俗的赞美诗可能在一些教堂环境中使用,但总体趋势可能表明传统宗教的持续侵蚀以及在公共和私人环境中使用明确的宗教音乐。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
1.60
自引率
0.00%
发文量
9
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