Music, Noise, and Nature: Energetic Ambiguities in Benedikt Erlingsson's Woman at War

IF 0.5 0 FILM, RADIO, TELEVISION Music Sound and the Moving Image Pub Date : 2022-10-01 DOI:10.5406/19407610.15.3.01
Heidi Hart, B. Schirrmacher
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引用次数: 0

Abstract

Abstract:Unlike most films dealing with the challenges of climate change or globalization, Benedikt Erlingsson's film Woman at War (2018) is full of energetic humor and contradictions. The protagonist's conflicting roles as choir director, eco-warrior, and future adoptive mother undermine expected binaries, as do onscreen musicians in this communication of complexity. In our intermedial and ecocritical analysis, we demonstrate how the film's sound design exploits ambiguities of diegesis, nature and culture, music and noise, and order and revolt to generate a more empowering than merely entertaining plot.
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音乐、噪音与自然:贝内迪克特·厄林松《战争中的女人》中的能量模糊
摘要:与大多数处理气候变化或全球化挑战的电影不同,贝内迪克特·埃林松的电影《战争中的女人》(2018)充满了充满活力的幽默和矛盾。主角的唱诗班指挥、环保斗士和未来养母的角色冲突打破了预期的二元对立,就像银幕上的音乐家在这种复杂的交流中所做的那样。在我们的中间和生态批评分析中,我们展示了电影的声音设计如何利用叙事的模糊性,自然和文化,音乐和噪音,秩序和反抗来产生一个更有力量的情节,而不仅仅是娱乐。
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来源期刊
Music Sound and the Moving Image
Music Sound and the Moving Image FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
0.00%
发文量
6
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