A new algorithmic imaginary

IF 2.3 1区 文学 Q1 COMMUNICATION Media, Culture & Society Pub Date : 2022-11-14 DOI:10.1177/01634437221136014
Christian Schulz
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Abstract

The algorithmic imaginary as a theoretical concept has received increasing attention in recent years as it aims at users’ appropriation of algorithmic processes operating in opacity. But the concept originally only starts from the users’ point of view, while the processes on the platforms’ side are largely left out. In contrast, this paper argues that what is true for users is also valid for algorithmic processes and the designers behind. On the one hand, the algorithm imagines users’ future behavior via machine learning, which is supposed to predict all their future actions. On the other hand, the designers anticipate different actions that could potentially performed by users with every new implementation of features such as social media feeds. In order to bring into view this permanently reciprocal interplay coupled to the imaginary, in which not only the users are involved, I will argue for a more comprehensive and theoretically precise algorithmic imaginary referring to the theory of Cornelius Castoriadis. In such a perspective, an important contribution can be formulated for a theory of social media platforms that goes beyond praxeocentrism or structural determinism.
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一个新的算法假想
算法想象作为一个理论概念近年来受到越来越多的关注,因为它旨在用户对不透明操作的算法过程的挪用。但这个概念最初只是从用户的角度出发,而平台方面的流程在很大程度上被忽略了。相比之下,本文认为,对用户来说是正确的,对算法过程和背后的设计者来说也是有效的。一方面,该算法通过机器学习来想象用户未来的行为,机器学习应该能够预测用户未来的所有行为。另一方面,设计师也要考虑到用户在使用社交媒体feed等新功能时可能采取的不同行动。为了将这种永久的相互作用与想象结合在一起,其中不仅涉及用户,我将提出一个更全面和理论上更精确的算法想象,参考Cornelius Castoriadis的理论。从这个角度来看,可以为超越实践中心主义或结构决定论的社交媒体平台理论做出重要贡献。
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来源期刊
CiteScore
6.40
自引率
12.10%
发文量
101
期刊介绍: Media, Culture & Society provides a major international forum for the presentation of research and discussion concerning the media, including the newer information and communication technologies, within their political, economic, cultural and historical contexts. It regularly engages with a wider range of issues in cultural and social analysis. Its focus is on substantive topics and on critique and innovation in theory and method. An interdisciplinary journal, it welcomes contributions in any relevant areas and from a worldwide authorship.
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