{"title":"Arquitectura y decolonialidad: algunas ideas sobre la Escuela de Artes Plásticas de Ricardo Porro","authors":"Yasser Farrés Delgado","doi":"10.4067/S0718-71812016000200009","DOIUrl":null,"url":null,"abstract":"Las Escuelas Nacionales de Arte son un conjunto arquitectonico paradigmatico del llamado “periodo romantico” de la arquitectura de la Revolucion Cubana. Este momento estuvo marcado por la busqueda de una arquitectura apropiada a las circunstancias de aquel pais en tanto estado poscolonial. Entre las edificaciones que definen al conjunto, destaca la Escuela de Artes Plasticas, del arquitecto Ricardo Porro, por su particular simbolismo. Este articulo interpreta dicha obra desde una perspectiva decolonial y argumenta su valor como una alternativa a la colonialidad arquitectonica actual.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":"23 1","pages":"167-190"},"PeriodicalIF":0.3000,"publicationDate":"2016-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/S0718-71812016000200009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
Las Escuelas Nacionales de Arte son un conjunto arquitectonico paradigmatico del llamado “periodo romantico” de la arquitectura de la Revolucion Cubana. Este momento estuvo marcado por la busqueda de una arquitectura apropiada a las circunstancias de aquel pais en tanto estado poscolonial. Entre las edificaciones que definen al conjunto, destaca la Escuela de Artes Plasticas, del arquitecto Ricardo Porro, por su particular simbolismo. Este articulo interpreta dicha obra desde una perspectiva decolonial y argumenta su valor como una alternativa a la colonialidad arquitectonica actual.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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