Peter Paul Rubens, Nicolas-Claude Fabri de Peiresc and Joan of Arc

Piotr Borusowski
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Abstract

Abstract In 2011 a discovery was made at the Department of Prints and Drawings of the National Museum in Warsaw - a drawing hitherto described as a Kneeling knight by an anonymous seventeenth-century artist, turned out to be Joan of Arc, a sketch well-known to art historians studying the oeuvre of Peter Paul Rubens, although thought to be lost during the Second World War. The drawing, until now known only through the black and white photograph, could be thoroughly analysed for the first time. In the context of information thus obtained, the historical context of creating the sketch transpired as an equally important matter, including the hypothetical role that may have been played in its creation by Nicolas-Claude Fabri de Peiresc.
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2011年,华沙国家博物馆版画和绘画部发现了一幅17世纪一位匿名艺术家迄今为止描述为跪着的骑士的素描,结果证明是圣女贞德,这幅素描被研究彼得·保罗·鲁本斯全部作品的艺术史学家所熟知,尽管被认为在第二次世界大战期间丢失了。迄今为止,人们只通过这张黑白照片了解到这幅画,这是人们第一次对它进行彻底分析。在由此获得的信息的背景下,创作草图的历史背景也同样重要,包括尼古拉斯-克劳德·法布里·德·佩雷斯克在创作中可能扮演的假设角色。
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