{"title":"CINE, ÉTICA Y ALTERIDAD. METÁFORAS DEL ENCUENTRO CON EL OTRO","authors":"Í. Albaina","doi":"10.5944/SIGNA.VOL30.2021.29304","DOIUrl":null,"url":null,"abstract":"Resumen: El titulo del articulo me va a permitir un juego combinatorio tomando sus terminos por parejas. De tal manera que lo que viene a continuacion constara de tres partes. Una primera sobre la relacion entre el cine y la etica; una ultima, en torno al cine y la alteridad. Y, entre ambas, un breve exordio que, siguiendo el pensamiento de Emmanuel Levinas, reflexiona sobre el vinculo entre la etica y la alteridad. Para ello me valdre del analisis de tres peliculas: El lector (Stephen Daldry, 2008), Rosetta (Jean-Pierre y Luc Dardenne, 1999) y Lone Star (John Sayles, 1996). Abstract: The article title will allow me a combinatorial game matching its terms in pairs. Thereby, what comes next will consist of three parts. The first one will address the relationship between cinema and ethics, while the last one will approach cinema and the otherness. In between both, there will be a brief exordium that, following the thought of Emmanuel Levinas, reflects on the link between ethics and the otherness. All of this will be based on the analysis of three films: The Reader (Stephen Daldry, 2008), Rosetta (Jean-Pierre and Luc Dardenne, 1999) and Lone Star (John Sayles, 1996).","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signa-Revista de la Asociacion Espanola de Semiotica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/SIGNA.VOL30.2021.29304","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Resumen: El titulo del articulo me va a permitir un juego combinatorio tomando sus terminos por parejas. De tal manera que lo que viene a continuacion constara de tres partes. Una primera sobre la relacion entre el cine y la etica; una ultima, en torno al cine y la alteridad. Y, entre ambas, un breve exordio que, siguiendo el pensamiento de Emmanuel Levinas, reflexiona sobre el vinculo entre la etica y la alteridad. Para ello me valdre del analisis de tres peliculas: El lector (Stephen Daldry, 2008), Rosetta (Jean-Pierre y Luc Dardenne, 1999) y Lone Star (John Sayles, 1996). Abstract: The article title will allow me a combinatorial game matching its terms in pairs. Thereby, what comes next will consist of three parts. The first one will address the relationship between cinema and ethics, while the last one will approach cinema and the otherness. In between both, there will be a brief exordium that, following the thought of Emmanuel Levinas, reflects on the link between ethics and the otherness. All of this will be based on the analysis of three films: The Reader (Stephen Daldry, 2008), Rosetta (Jean-Pierre and Luc Dardenne, 1999) and Lone Star (John Sayles, 1996).
摘要:这篇文章的标题将允许我玩一个组合游戏，把它的术语成对。因此，下面的内容将由三部分组成。首先是关于电影与伦理的关系;最后，关于电影和他者。在这两者之间，有一个简短的驱魔，遵循伊曼纽尔·列维纳斯的思想，反思伦理和他者之间的联系。在这篇文章中，我将分析三部电影:《读者》(Stephen Daldry, 2008)、《罗塞塔》(Rosetta, Jean-Pierre and Luc Dardenne, 1999)和《孤独之星》(Lone Star, John Sayles, 1996)。= =地理= =根据美国人口普查，这个县的面积为。因此，接下来发生的事情将由三个部分组成。The first one将address The relationship between cinema and ethics,而最后one will approach cinema and The otherness。在这两者之间，有一个简短的序言，遵循伊曼纽尔·列维纳斯的思想，反映了伦理和其他之间的联系。所有这些都将基于对三部电影的分析:《读者》(Stephen Daldry, 2008)、《罗塞塔》(Jean-Pierre and Luc Dardenne, 1999)和《孤星》(John Sayles, 1996)。
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