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Reseña de: Jerónimo López Mozo. Combate de ciegos. Yo, maldita india... (Dos obras de teatro). Madrid: UNED, 2000 评论:jeronimo lopez Mozo。盲人战斗。我,该死的印度…(两部戏剧)。马德里:联合国开发银行,2000年
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-10-18 DOI: 10.5944/SIGNA.VOL11.2002.32006
C. González
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引用次数: 0
Reseña de: José Teruel Benavente: Otro marco teórico para el medio siglo: la poesía de Miguel Fernández. Madrid: UNED, 2000 回顾:jose Teruel Benavente:半个世纪的另一个理论框架:Miguel的诗歌fernandez。马德里:联合国开发银行,2000年
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-10-18 DOI: 10.5944/SIGNA.VOL11.2002.32013
José Luis Fernández de la Torre
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引用次数: 0
Reseña de: José Romera Castillo y Francisco Gutiérrez Carbajo (eds.): El cuento en la década de los noventa. Madrid: Visor Libros/UNED, 2001 评论:jose Romera Castillo和Francisco gutierrez Carbajo(编):90年代的故事。马德里:书商/联合国开发计划署,2001年
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-10-18 DOI: 10.5944/SIGNA.VOL11.2002.32011
Irene Aragón González
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引用次数: 0
Reseña de: Víctor Cantero García. Las aportaciones de los dramas de «costumbres burguesas» de Luis de Eguilaz al conocimiento de la burguesía española de la segunda mitad del XIX. Cádiz: Servicio de Publicaciones de la Universidad de Cádiz, 2000 评论:victor Cantero garcia。路易斯·德·埃吉拉兹的“资产阶级习俗”戏剧对19世纪下半叶西班牙资产阶级知识的贡献。加的斯:加的斯大学出版服务,2000年
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-10-18 DOI: 10.5944/SIGNA.VOL11.2002.32003
J. L. Romero
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引用次数: 0
Reseña de: Rosa María Belda. El sujeto en la poesía de Miguel Femández. Madrid: UNED, 2000 评论:Rosa maria Belda。米格尔femandez诗歌中的主题。马德里:联合国开发银行,2000年
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-10-18 DOI: 10.5944/SIGNA.VOL11.2002.32002
X. Vila
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引用次数: 0
LA RECEPCIÓN DE LA LITERATURA PORTUGUESA EN LAS REVISTAS DEL INSTITUTO DE CULTURA HISPÁNICA (1948-1955): CUADERNOS HISPANOAMERICANOS, MUNDO HISPÁNICO Y CORREO LITERARIO 西班牙文化研究所杂志(1948-1955)对葡萄牙文学的接受:CUADERNOS hispanoamericano, MUNDO hispanico Y CORREO LITERARIO
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.26424
Javier Domingo Martín
Resumen: En este articulo, se estudia la presencia de la cultura y literatura portuguesas en las publicaciones periodicas del Instituto de Cultura Hispanica: Mundo Hispanico, Cuadernos Hispanoamericanos y, fundamentalmente, Correo Literario, la mas interesante a este respecto. Haremos un catalogo exhaustivo de los contenidos portugueses en el arco de tiempo elegido (1948-1955) y valoraremos cuales fueron los condicionantes ideologicos y esteticos que determinaron la recepcion de la cultura portuguesa, asi como el papel que la literatura del pais vecino desempeno en sus paginas. Abstract: This essay aims to study the reception of portuguese culture and literature in “Instituto de Cultura Hispanica” magazines during the years 1948-1955: Mundo Hispanico, Cuadernos Hispanoamericanos and Correo Literario, the most interesating one in this respect. We will catalogue every text of the corpus in order to establish which ideological and aesthetical variables determined the reception of portuguese culture and which function it played in these magazines.
摘要:本文研究了西班牙文化研究所(Instituto de cultura Hispanica: Mundo Hispanico, Cuadernos Hispanoamericanos)的期刊出版物中葡萄牙文化和文学的存在,这是这方面最有趣的出版物。我们将在选定的时间范围内(1948-1955年)对葡萄牙内容进行详尽的目录,并评估决定葡萄牙文化接受的意识形态和美学条件,以及邻国文学在其页面中所扮演的角色。摘要:本文旨在研究1948-1955年“西班牙文化研究所”杂志对葡萄牙文化和文学的接受情况:Mundo Hispanico, Cuadernos Hispanoamericanos和Correo Literario,这方面最有趣的一个。我们将对文集中的每一篇文本进行编目,以便确定哪些意识形态和美学变量决定了对葡萄牙文化的接受程度以及它在这些杂志中发挥的作用。
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引用次数: 0
LA LUPA Y EL PRISMA. ENFOQUES EN TORNO A LA LITERATURA HISPÁNICA Ana ABELLO VERANO, Daniele ARCIELLO y Sergio FERNÁNDEZ MARTÍNEZ (eds.) (León: Universidad de León, 2020, 239 págs.) 放大镜和棱镜。Ana ABELLO VERANO, Daniele ARCIELLO和Sergio fernandez martinez(编)(leon: Universidad de leon, 2020, 239页)
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.29317
J. M. Ródenas
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引用次数: 0
LA ESTRUCTURA NARRATIVA DE LOS CASOS CLÍNICOS 临床病例的叙述结构
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.26419
Adéla Kotátková
Resumen: Los casos clínicos son un género propio de las comunidades de profesionales de la salud que se basa en la experiencia clínica de uno o unos pocos pacientes. A diferencia de otros autores, consideramos que tienen una naturaleza principalmente narrativa y que, por lo tanto, se pueden caracterizar por una estructuración en los cinco apartados canónicos de la narración: situación inicial, nudo, (re)acción o evaluación, desenlace y situación final. Verificamos la presencia de estos componentes en un caso clínico prototípico del campo de la neurología, comparándolos con sus análogos en textos provenientes del género reconocidamente narrativo de los cuentos clínicos.Abstract: Clinical case reports are a genre developed within the communities of healthcare professionals and based on the clinical experience of one or a few patients. Unlike other authors, we consider that they have a mainly narrative nature and, therefore, can be characterized by a structure following the five canonical sections of the narrative: initial situation, node, (re) action or evaluation, denouement and final situation. We verify the presence of these components in a prototypical clinical case report from the field of neurology, comparing them with analogous samples of another genre that is widely recognised as narrative: clinical tales. 
摘要:临床病例是一种基于一个或几个患者的临床经验的卫生专业社区特有的类型。与其他作者不同的是,我们认为它们主要具有叙事性质,因此可以通过叙事的五个规范部分的结构来描述:初始情境、结、(再)行动或评价、结果和最终情境。我们在一个典型的神经病学临床病例中验证了这些成分的存在,并将它们与临床故事中已知的叙事类型的文本中的类似物进行了比较。摘要:临床病例报告是在卫生专业人员社区内根据一个或几个患者的临床经验制定的一种类型。与其他作者不同,我们认为他们具有主要的叙事性质,因此可以通过遵循叙事的五个规范部分的结构来描述:初始情境、节点、(再)行动或评价、否定和最终情境。我们verify the在场这些部件在case report from the field of病学临床prototypical、comparing察with analogous samples of another性别that is宣传recognised narrative: clinical识破。
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引用次数: 0
EL STEAMPUNK Y SU RESIGNIFICACIÓN DEL OBJETO DESDE LA ÓPTICA POSMODERNA 从后现代的角度看,蒸汽朋克及其对物体的重新定义
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.26430
José Antonio Toledo García
Resumen: El articulo repasa, en primer lugar, las principales caracteristicas del genero steampunk, asi como la evolucion historica, sus problemas de adscripcion, sus implicaciones ideologicas o la naturaleza transversal de su discurso, entre otros aspectos. En segundo lugar, y una vez vista la naturaleza hibrida y posmoderna del genero, estudia el desarrollo semiotico que el steampunk plantea a proposito de la resignificacion de la relacion sujeto-objeto desde una optica postcapitalista y deconstructiva, poniendo para ello ejemplos concretos. Abstract: This article will address, first of all, the main features of the steampunk genre, as well as its historical evolution, its problems of ascription, its ideological implications and the transverse nature of its discourse, among other aspects. Secondly, and once the hybrid and postmodern nature of this genre has been stablished, the article will analyse the semiotic development which steampunk sets out regarding the resignification of the subject-object relation from a postcapitalist and deconstructive point of view, providing specific examples.
摘要:本文首先回顾了蒸汽朋克流派的主要特征,以及其历史演变、归属问题、意识形态含义和话语的横向性质等方面。其次,在考虑了这一流派的混合和后现代性质之后,从后资本主义和解构主义的角度,研究了蒸汽朋克提出的关于主体-客体关系重新定义的符号学发展,并给出了具体的例子。摘要:本文将首先阐述蒸汽朋克流派的主要特征,以及它的历史演变、描述问题、意识形态含义和它的话语的横向性质等方面。其次,一旦这一流派的混合和后现代性质得到稳定,本文将从后资本主义和解构主义的角度分析蒸汽朋克关于主体-客体关系重构的符号学发展,并提供具体的例子。
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引用次数: 1
EL EDITOR COMO AUTOR: PRÁCTICAS ECDÓTICAS EN TEXTOS EPISTOLARES
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.26426
A. López
Resumen: La constante publicacion de textos epistolares en Espana contrasta con la ausencia de una reflexion sistematica sobre sus criterios de edicion. Ademas, las especiales caracteristicas de la carta privada propician, de modo significativo, la apropiacion de decisiones autoriales por parte del editor. En el presente articulo se aborda la figura del editor como autor en los procesos ecdoticos de seleccion, disposicion y transcripcion de los materiales epistolares, a traves del examen de setenta y cinco ediciones de correspondencia. Ello permite dibujar la orientacion y mecanismos de tales apropiaciones y su tendencia a la alteracion ficcional de textos documentales y autobiograficos. Abstract: The constant publishing of epistolary texts in Spain makes a contrast with the lack of a systematic reflexion about its editing criteria. The private letter’s special features also lead to a significant appropriation of authorial decisions by the editor. On this article, we adress the figure of the editor as author in the selection, arrangement and transcription processes for epistolary materials through the exam of sixty five correspondence editions. This makes it possible to draw the orientation and mechanisms of such appropriations and their trend to fictional alterations on documentary and autobiographical texts.
摘要:在西班牙,书信文本的不断出版与缺乏对其编辑标准的系统反思形成了对比。此外,私人信件的特殊特点在很大程度上鼓励了出版商挪用作者的决定。在这篇文章中,我们讨论了编辑作为作者在选择、处理和抄写书信体材料的ecdoticos过程中所扮演的角色,通过对75个版本的通信的审查。在这篇文章中,我们提出了一种方法,通过这种方法,研究人员可以在他们的作品中使用虚构的文本。Abstract:常数publishing epistolary texts in Spain曾对比with The缺乏of a systematic reflexion about its editing标准。私人信件的特殊特点也导致编辑大量使用作者的决定。在这篇文章中,我们通过65个通信版本的考试,向编辑作为作者介绍书信材料的选择、安排和转录过程。这样就可以确定这种拨款的方向和机制,以及它们对纪录片和自传文本进行虚构修改的趋势。
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引用次数: 1
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Signa-Revista de la Asociacion Espanola de Semiotica
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