Vyačeslav Ivanov Between Dante and Dionysus. The Poet’s Visionary Experience of 1908 and the Problem of Triple Unions

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Studi Slavistici Pub Date : 2022-02-02 DOI:10.36253/studi_slavis-11314
L. Kayanidi
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Abstract

The article examines the symbolist poet Vyačeslav Ivanov’s visionary experience in the context of his poetic creativity and life-creating practices. Ivanov's visionary experience, inspired by the death of his wife Lidija Zinov’eva-Annibal, was not only reflected in his artistic work, but also influenced by his poetic imagery. In the vision, Ivanov, together with his winged deceased wife Lidija, communicates with a fiery heart, and then communicates with Lidija's daughter Vera, who is then placed in the heart of her mother. We assert that the vision of Ivanov makes use of not only Dante's symbolics (represented in his “New Life”), but also mystical-Dionysian symbolics, connected to a mythological story about the tearing of Dionysus-Zagreus by the Titans. This becomes obvious when comparing the poet's visionary experience with the poem “The Dream of Melampus”, in which for the first time the mystery-Dionysian plot is most fully expressed. Some of the motifs of Ivanov’s vision are associated with the symbolism of the macrocosm and microcosm, expressed in the spiritual verse “The Dream of the Desert Mother”. The visionary experience of Ivanov is included in the context of the so-called triple unions – Ivanov's mystical-utopian project aimed at forming a new spiritual and social order based on the mystical unity of human souls. The marriage with Vera Schwarzalon, the desirability of which is expressed in a visionary form, is perceived as a union of not two, but three. At the same time, Vera acts as the earthly embodiment of Lidija, who had gone into the transcendent spheres. Marriage with Vera becomes a way of establishing a death-conquering love affair with Lidija and performs a theurgic function: the reunion of the transcendent-spiritual with the empirically real. The difference from the triple unions with Sergej Gorodeckij and Margarita Sabašnikova is only that the union with Vera becomes a means of overcoming not mystical disunity, but death.
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在但丁和狄俄尼索斯之间。诗人1908年的幻想体验与三重结合问题
本文从象征主义诗人维亚·伊斯拉夫·伊万诺夫的诗歌创作和生命创造实践中考察他的幻境体验。伊万诺夫的幻想经历,受到他的妻子Lidija Zinov’eva- annibal去世的启发,不仅反映在他的艺术作品中,也受到他的诗歌意象的影响。在异象中,伊万诺夫和他死去的有翅膀的妻子利蒂嘉,与一颗火热的心交流,然后与利蒂嘉的女儿薇拉交流,薇拉随后被安置在她母亲的心里。我们断言,伊万诺夫的视觉不仅使用了但丁的象征(在他的“新生活”中表现出来),而且还使用了神秘的酒神象征,与一个神话故事有关,关于狄俄尼索斯-扎格鲁斯被泰坦撕裂。这一点在将诗人的幻想经历与《梅兰普斯之梦》这首诗进行比较时就变得明显了,《梅兰普斯之梦》是第一次最充分地表达了神秘的酒神情节。伊万诺夫的一些主题与宏观世界和微观世界的象征主义有关,在精神诗“沙漠母亲的梦想”中表达出来。伊万诺夫的幻想经历包含在所谓的三重联盟的背景下-伊万诺夫的神秘乌托邦计划旨在基于人类灵魂的神秘统一形成新的精神和社会秩序。与Vera Schwarzalon的婚姻,其愿望以一种梦幻的形式表达,被认为是一个不是两个,而是三个的结合。与此同时,薇拉作为莉迪亚的世俗化身,她已经进入了超然的领域。与维拉的婚姻成为了与莉迪亚建立一种征服死亡的爱情关系的一种方式,并发挥了一种神奇的功能:超越精神与经验现实的重聚。与Sergej Gorodeckij和Margarita Sabašnikova的三重结合不同的是,与Vera的结合不是克服神秘的分裂,而是克服死亡的手段。
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来源期刊
Studi Slavistici
Studi Slavistici HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
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发文量
57
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