The The Image of a Woman of Colour and Native American Woman in Two Kerouac Novels: A Double Otherness

Nejc Rožman Ivančič
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引用次数: 1

Abstract

The article examines the portrayal of a woman of colour in the novel The Subterraneans (1958), and the portrayal of a Native American woman in the novel Tristessa (1960). The two works are representative examples within the opus of the American writer Jack Kerouac (1922–1969), and offer suitable starting points for the reinterpretation of his attitude towards women and non-white ethnicities. The novels reveal the ethnocentric, even colonizing attitude of the dominating male narrator in relation to the dominated and subjugated social groups. Although the treated works are considered Kerouac’s “female-centred novels” (Phelan Lyke 1991, v), this syntagm is problematized here by showing that the male narrator remains the true protagonist, focused essentially on his own perceptions of the non-white romantic subject, whereas the two female characters are (mere) objects for the protagonists’ self-discovery, life experience and psychological projection. In this sense, Kerouac’s consistent presentation of women as representatives of an identity of the exotic/Other reveals his nested gender and racial prejudice.
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凯鲁亚克两部小说中有色人种女性和印第安女性的形象:双重异类
本文考察了小说《地下人》(1958)中对有色人种女性的描写,以及小说《翠丝特莎》(1960)中对印第安女性的描写。这两部作品是美国作家杰克·凯鲁亚克(Jack Kerouac, 1922-1969)作品中的代表性作品,为重新解读他对女性和非白人种族的态度提供了合适的出发点。这些小说揭示了占统治地位的男性叙述者对被统治和被征服的社会群体的种族中心主义甚至殖民主义态度。虽然被处理的作品被认为是凯鲁亚克的“以女性为中心的小说”(Phelan Lyke 1991, v),但这种结构在这里出现了问题,因为它表明男性叙述者仍然是真正的主角,主要关注他自己对非白人浪漫主题的看法,而两个女性角色(仅仅)是主角自我发现、生活经历和心理投射的对象。从这个意义上说,凯鲁亚克一贯将女性作为异域/他者身份的代表,揭示了他根深蒂固的性别和种族偏见。
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来源期刊
ELOPE: English Language Overseas Perspectives and Enquiries
ELOPE: English Language Overseas Perspectives and Enquiries Arts and Humanities-Literature and Literary Theory
CiteScore
0.70
自引率
0.00%
发文量
10
审稿时长
16 weeks
期刊介绍: ELOPE: English Language Overseas Perspectives and Enquiries (http://revije.ff.uni-lj.si/elope) is a double-blind, peer-reviewed academic journal that publishes original research articles, studies and essays that address issues of English language, literature, teaching and translation. The guest editors, Jason Blake and Michelle Gadpaille, warmly invite contributors to submit original research for a special issue of the journal in honour of Margaret Atwood’s 80th birthday. Papers are solicited that focus on Atwood’s 21st-century work (excluding film and television adaptations). Potential topics include but are not limited to the following: Experiments in short prose and cross-generic forms Eco-critical engagement in prose or fiction; Apocalyptic Atwood Reception across cultures, languages and generations; global Atwood Translation and stylistic studies of 21st century works Poetic legacy Interdisciplinary approaches Humour.
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