{"title":"Mass Weddings in Jamaica and the Production of Academic Folk Knowledge","authors":"T. Robinson","doi":"10.1215/07990537-8749782","DOIUrl":null,"url":null,"abstract":"Abstract:In Jamaica in the 1940s and 1950s, prominent women and women's organizations led a notorious campaign to promote mass weddings. The campaign targeted working-class black Jamaicans living together in long-term heterosexual relationships and was aimed at improving the status of women and children and readying working-class Jamaicans for citizenship. This essay explores mass weddings as a form of women's activism in the mid-twentieth century, and it reflects on M. G. Smith's trenchant critique of mass weddings in his introduction to Edith Clarke's iconic study My Mother Who Fathered Me. Smith identifies a governor's wife as the instigator of the campaign, not the black Jamaican middle-class nationalist feminists who were responsible, yet his account has ascended to a form of academic folk knowledge that is oft repeated and rarely probed. As a valued resource for understanding late colonialism in the Caribbean, it has caricatured Caribbean feminist interventions in nationalist projects, and it contributes to the feminization of an enduring Caribbean \"coloniality.\"","PeriodicalId":46163,"journal":{"name":"Small Axe","volume":"519 1","pages":"65 - 80"},"PeriodicalIF":0.6000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Small Axe","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/07990537-8749782","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:In Jamaica in the 1940s and 1950s, prominent women and women's organizations led a notorious campaign to promote mass weddings. The campaign targeted working-class black Jamaicans living together in long-term heterosexual relationships and was aimed at improving the status of women and children and readying working-class Jamaicans for citizenship. This essay explores mass weddings as a form of women's activism in the mid-twentieth century, and it reflects on M. G. Smith's trenchant critique of mass weddings in his introduction to Edith Clarke's iconic study My Mother Who Fathered Me. Smith identifies a governor's wife as the instigator of the campaign, not the black Jamaican middle-class nationalist feminists who were responsible, yet his account has ascended to a form of academic folk knowledge that is oft repeated and rarely probed. As a valued resource for understanding late colonialism in the Caribbean, it has caricatured Caribbean feminist interventions in nationalist projects, and it contributes to the feminization of an enduring Caribbean "coloniality."