Entre Ave y Eva: las mujeres de las Cantigas de Santa María. II. Las trabajadoras. III. Las Evas

Q4 Arts and Humanities Medievalia Pub Date : 2021-12-12 DOI:10.19130/medievalia.2021.53.2.67990
Elvira Fidalgo Francisco
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引用次数: 3

Abstract

The Church, heavily present in medieval society, contributed to consolidate the patriarchal allocation of spaces: women in the domestic sphere, men in the public sphere. The works of the wife and of the mother had to be carried out within the household, which extended beyond the intimacy of the house, so that she had to take care of the farm, the animals and the land, without neglecting the education of the children. The Cantigas de Santa María, which gather versions of ancient legends but also make up others contemporary to the compilation of the work, offer a panoramic view of these working women, but also of those who developed a commercial activity in an urban environments as befits a work that portrays the society that has evolved over a century. Thus, we find women working in the most varied trades, thus participating in different productive sectors, mainly commerce, hospitality and the textile sector; but we also find women who, driven by a situation of extreme poverty, are forced to carry out the oldest trade in the world.
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在Ave和Eva之间:圣玛丽之歌中的女人。二。女工。三。这些Evas
中世纪社会中大量存在的教会有助于巩固父权制的空间分配:妇女在家庭领域,男子在公共领域。妻子和母亲的工作必须在家庭中进行,这超出了房子的亲密关系,因此她必须照顾农场,动物和土地,而不忽视孩子的教育。圣诞老人的悬臂María收集了古代传说的版本,但也构成了其他当代作品的汇编,提供了这些职业女性的全景,但也有那些在城市环境中发展商业活动的人,这与描绘一个多世纪以来发展的社会的作品相适应。因此,我们发现妇女在各种各样的行业工作,从而参与不同的生产部门,主要是商业、接待和纺织部门;但我们也发现,在极端贫困的情况下,妇女被迫从事世界上最古老的贸易。
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来源期刊
Medievalia
Medievalia Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
16 weeks
期刊最新文献
Noelia Silva Santa Cruz, Francisco de Asís García García, Laura Rodríguez Peinado y Raúl Romero Medina (eds.), (In)materialidad en el arte medieval, Gijón, Trea, Piedras Angulares, 2023, 349 páginas 83 imágenes color, 2 tablas, ISBN 978-84-19525-68-0 Juego, simulación y cortesía: personajes históricos en textos literarios franceses del siglo XIII Matteo Maria Boiardo, Orlando enamorado, trad. Francisco Garrido de Villena (1555), edición crítica y anotada e introducción de Helena Aguilà Ruzola, Cilengua, San Millán de la Cogolla, 2023, 1.230 páginas. ISBN 9788418088278 (obra completa); 9788418088254 (vol. I), 9788418088261 (vol. II) La cançó de dona catalana: establiment del corpus, influències literàries i problemes de filiació Materializando lo inmaterial. Algunas consecuencias artísticas de la fiesta de la Virgen de la O en la Baja Edad Media
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