A Language of the Border: On Scholem’s Theory of Lament

IF 0.2 2区 哲学 0 PHILOSOPHY JOURNAL OF JEWISH THOUGHT & PHILOSOPHY Pub Date : 2013-01-01 DOI:10.1163/1477285X-12341246
I. Ferber
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引用次数: 7

Abstract

AbstractIn a diary entry from 1916 entitled “Uber Klage und Klagelied” (On lament and dirge), originally written as a prologue to his translation of a collection of biblical lamentations, Gershom Scholem proposes a geographical metaphor to describe what he calls “all language.” The metaphor depicts two lands separated by a border: one land signifies the language of revelation, the other the language of silence; the border between them stands for what Scholem denotes as the language of lament (Klage). This article offers a close reading of this enigmatic text in an attempt to interpret Scholem’s early linguistic theory of lament and its relation to revelation and silence. In order to illuminate Scholem’s insights, I turn to Benjamin’s early fragment on lament (1916) and to his correspondence with Scholem on the relationship of lament to Jewish thought (1918), as well as to Werner Hamacher’s remarks on the linguistic form of lament. I argue that both Scholem and Benjamin portray lament as “a language of the border,” emphasizing its singular capacity to mark the boundaries of language and its expressive limits, while pointing to the possibility of lament to manifest a purely linguistic expression, devoid of any propositional, communicative, or subjective content. In his ambitious attempts to formulate a “metaphysics of language,” Scholem demonstrates the productivity of the intersection between the theological and philosophical, the linguistic and the metaphysical, in early twentieth-century continental philosophy.
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一种边界的语言:论肖勒姆的悲歌理论
格肖姆·肖勒姆(Gershom Scholem)在1916年的一篇题为《论悲歌与挽歌》的日记中提出了一个地理隐喻来描述他所谓的“所有语言”,这篇日记最初是作为他翻译的《圣经》哀歌集的序言写的。这个比喻描绘了被边界隔开的两块土地:一块土地象征着启示的语言,另一块象征着沉默的语言;它们之间的边界代表了肖勒姆所说的悲歌语言(Klage)。本文对这篇神秘的文本进行了仔细的解读,试图解释肖勒姆早期的悲歌语言理论及其与启示和沉默的关系。为了阐明肖勒姆的见解,我转向本雅明早期关于悲歌的片段(1916年),以及他与肖勒姆关于悲歌与犹太思想关系的通信(1918年),以及维尔纳·哈马赫关于悲歌语言形式的评论。我认为,舒勒姆和本雅明都把哀歌描绘成“一种边界的语言”,强调它标记语言边界和表达极限的独特能力,同时指出哀歌有可能表现出一种纯粹的语言表达,没有任何命题、交际或主观内容。在他雄心勃勃地构建“语言形而上学”的尝试中,肖勒姆展示了20世纪早期大陆哲学中神学与哲学、语言学与形而上学交叉的生产力。
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来源期刊
CiteScore
0.40
自引率
25.00%
发文量
12
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