The Possibilities of Constructing Linked Data for Art Exhibition Histories

Abstract

Valuable information can be found in relationships between objects, even while libraries and archives traditionally have prioritized the description of and access to discrete objects. Referencing curatorial studies and their emphasis on the study of exhibitions, the author explores how linked data could be used to represent art exhibition histories meaningfully. This would not only address a research need in art scholarship by helping to make archival materials and lesser-known art histories more accessible, but it could also contribute to a better understanding of how exhibition practices and the art historical canon have been shaped across institutions and geographies. Although the idea is presented here in its early stages, the author references recent efforts that could serve as starting points—such as those by the Museum of Modern Art and the American Art Collaborative’s Linked Art initiative—and considers potential challenges and next steps.