{"title":"Pajević, Marko (2019): The Henri Meschonnic Reader: A Poetics of Society. Edinburgh: Edinburgh University Press, 320 p.","authors":"S. Kadiu","doi":"10.7202/1092201ar","DOIUrl":"https://doi.org/10.7202/1092201ar","url":null,"abstract":"","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84482289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tao, Li and Kaibao, Hu (2021): Reappraising Self and Others: A Corpus-Based Study of Chinese Political Discourse in English Translation. Singapore: Springer, 194 p.","authors":"Wenbo Shang","doi":"10.7202/1092204ar","DOIUrl":"https://doi.org/10.7202/1092204ar","url":null,"abstract":"","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79214847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Caliendo, Giuditta et Oster, Corinne (2020) : Traduire la criminalité : Perspectives traductologiques et discursives. Lille : Presses universitaires du Septentrion, 260 p.","authors":"Daniel Padilha Pacheco da Costa","doi":"10.7202/1092202ar","DOIUrl":"https://doi.org/10.7202/1092202ar","url":null,"abstract":"","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"68 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83780625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Egea Pozo, María del Mar y Rodríguez Rodríguez, Francisco, eds. (2019): Insights into audiovisual translation and comic translation. Changing perspectives on films, comics and videogames. Córdoba: Universidad de Córdoba, 213 p.","authors":"Francisca García Luque","doi":"10.7202/1092198ar","DOIUrl":"https://doi.org/10.7202/1092198ar","url":null,"abstract":"","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"103 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89314829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hartmann, Esa et Hersant, Patrick, dir. (2019) : Au miroir de la traduction. Avant-texte, intratexte, paratexte. Multilinguisme. Paris : Éditions des archives contemporaines, 228 p.","authors":"M. Medjahed","doi":"10.7202/1092199ar","DOIUrl":"https://doi.org/10.7202/1092199ar","url":null,"abstract":"","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"74 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80832878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
While neutrality was one of the original tenants of the Library of Congress Classification System (LCC) and its subject headings (LCSH), both are centered in white, male, Eurocentric power structures. How can art librarians with instruction responsibilities intervene so their patrons know they are working with a biased system? After investigating how the LCC Fine Arts range privileges white, male, European art over art made by women and BIPOC (Black, Indigenous, and People of Color) artists by favoring fine art over craft, this article discusses a thirty-minute lesson plan that introduces students to these inherent biases within LCC. [This article is a revision of a paper presented during the 50th annual ARLIS/NA conference held in Chicago, Illinois, in April 2022.]
{"title":"The Prejudices and Antipathies of Art","authors":"Stefanie Hilles","doi":"10.1086/722170","DOIUrl":"https://doi.org/10.1086/722170","url":null,"abstract":"While neutrality was one of the original tenants of the Library of Congress Classification System (LCC) and its subject headings (LCSH), both are centered in white, male, Eurocentric power structures. How can art librarians with instruction responsibilities intervene so their patrons know they are working with a biased system? After investigating how the LCC Fine Arts range privileges white, male, European art over art made by women and BIPOC (Black, Indigenous, and People of Color) artists by favoring fine art over craft, this article discusses a thirty-minute lesson plan that introduces students to these inherent biases within LCC. [This article is a revision of a paper presented during the 50th annual ARLIS/NA conference held in Chicago, Illinois, in April 2022.]","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"18 1","pages":"242 - 256"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87418119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Carol S. Terry, Betty Jo Kish Irvine, J. Ekdahl, Sherman Clarke, Milan R. Hughston
The first Art Libraries Society of North America conference was held in New York City in 1973. The final session of the conference posed the questions, “Who are we? Where are we going?” Now in 2022, five long-time members of the society reflect on those questions, providing some perspective on the origins, early years, and accomplishments of ARLIS/NA. What was the impetus for a stand-alone organization, given the many other library associations with art librarian members? Who were the leaders who made it happen? How did regional chapters develop? Who were the exhibitors and sponsors? How did the publications advance the profession? What were some of the highlights along the way? [This article presents the talks from a special panel at the fiftieth anniversary ARLIS/NA Conference held in Chicago, Illinois, in April 2022.]
{"title":"Who Were We? Where Did We Go? Voices from the Early Years of the Art Libraries Society of North America","authors":"Carol S. Terry, Betty Jo Kish Irvine, J. Ekdahl, Sherman Clarke, Milan R. Hughston","doi":"10.1086/722173","DOIUrl":"https://doi.org/10.1086/722173","url":null,"abstract":"The first Art Libraries Society of North America conference was held in New York City in 1973. The final session of the conference posed the questions, “Who are we? Where are we going?” Now in 2022, five long-time members of the society reflect on those questions, providing some perspective on the origins, early years, and accomplishments of ARLIS/NA. What was the impetus for a stand-alone organization, given the many other library associations with art librarian members? Who were the leaders who made it happen? How did regional chapters develop? Who were the exhibitors and sponsors? How did the publications advance the profession? What were some of the highlights along the way? [This article presents the talks from a special panel at the fiftieth anniversary ARLIS/NA Conference held in Chicago, Illinois, in April 2022.]","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"13 1","pages":"187 - 205"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84653387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
“Beyond the Fountain” is a digital humanities project that creates a new entry point into the history of the Society of Independent Artists by utilizing data from its first exhibition catalog. The project seeks to align with the original democratic spirit of the show, giving each artist an equal opportunity to be discovered through an interactive map. Overall, the goal of “Beyond the Fountain” is to explore the Society of Independent Artists in a new way, with an emphasis on bringing lesser-known artists to light. This article highlights the tools and methods used for creating this map in order to encourage similar digital art history projects. [This article is a revision of a paper presented during the “New Voices in the Profession” session at the 50th annual ARLIS/NA conference held in Chicago, Illinois in April 2022.]
{"title":"Beyond the Fountain","authors":"Miranda Siler","doi":"10.1086/722172","DOIUrl":"https://doi.org/10.1086/722172","url":null,"abstract":"“Beyond the Fountain” is a digital humanities project that creates a new entry point into the history of the Society of Independent Artists by utilizing data from its first exhibition catalog. The project seeks to align with the original democratic spirit of the show, giving each artist an equal opportunity to be discovered through an interactive map. Overall, the goal of “Beyond the Fountain” is to explore the Society of Independent Artists in a new way, with an emphasis on bringing lesser-known artists to light. This article highlights the tools and methods used for creating this map in order to encourage similar digital art history projects. [This article is a revision of a paper presented during the “New Voices in the Profession” session at the 50th annual ARLIS/NA conference held in Chicago, Illinois in April 2022.]","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"36 1","pages":"219 - 241"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74560874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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