Guest Editor’s Note: Superman’s Brother

IF 0.2 3区 艺术学 0 ART SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2020-09-01 DOI:10.1086/711339
A. Flaten
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引用次数: 0

Abstract

It was the summer of 1972 in Arlington, Virginia. My best friend and I sat across from each other in intense cross-legged dialogue. Doug proudly displayed his copy of DC’s Action Comics starring Superman. I had Dynamo no. 1 from Tower Comics (fig. 1). The calculus that informs six-year-old logic determined that his comic book was better because the quasiomnipotent Superman was universally known. In those years of lunchboxes and recess kickball, one’s stature might reside, if fleetingly, in the question of whose hero could beat up the other’s. I casually explained that Dynamo was Superman’s brother. This is my earliest memory of willful prevarication. It is also my earliest memory of what would become a lifelong fascination with comic books.
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客串编者注:超人的兄弟
那是1972年的夏天,在弗吉尼亚州的阿灵顿。我和我最好的朋友面对面地盘腿坐着,激烈地交谈着。道格自豪地展示了他那本DC超人主演的动作漫画。我有发电机。根据6岁小孩的逻辑计算,他的漫画书更好,因为准全能的超人是众所周知的。在那些午餐饭盒和课间踢足球的年代里,一个人的地位可能会短暂地停留在谁的英雄能打败对方的问题上。我随口解释说迪纳摩是超人的哥哥。这是我对故意搪塞的最早记忆。这也是我对漫画书一生迷恋的最早记忆。
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20
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