首页 > 最新文献

SOURCE-NOTES IN THE HISTORY OF ART最新文献

英文 中文
The Wise and Foolish Virgins of Nicosia Cathedral 尼科西亚大教堂的聪明和愚蠢的处女
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/726089
Michalis Olympios
The unfinishedwest end of the nave of the Latin cathedral of Saint Sophia (present-day Selimiye Mosque) in Nicosia remains one of the most tantalizingly elusive buildings to survive from Lusignan Cyprus (1192–1489). It is now thought to have been begun in the last quarter of the thirteenth century by a master mason trained in the great contemporary chantiers (building sites) of northeast France and to have remained under construction until the mid-fourteenth century, when work ceased abruptly, possibly due to the Black Death. As was customary in late medieval architecture, the protracted construction would have seen the succession
{"title":"The Wise and Foolish Virgins of Nicosia Cathedral","authors":"Michalis Olympios","doi":"10.1086/726089","DOIUrl":"https://doi.org/10.1086/726089","url":null,"abstract":"The unfinishedwest end of the nave of the Latin cathedral of Saint Sophia (present-day Selimiye Mosque) in Nicosia remains one of the most tantalizingly elusive buildings to survive from Lusignan Cyprus (1192–1489). It is now thought to have been begun in the last quarter of the thirteenth century by a master mason trained in the great contemporary chantiers (building sites) of northeast France and to have remained under construction until the mid-fourteenth century, when work ceased abruptly, possibly due to the Black Death. As was customary in late medieval architecture, the protracted construction would have seen the succession","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lavinia Fontana’s Birth of the Virgin 拉维尼娅·丰塔娜的《圣母的诞生》
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/726093
Emanuele Lugli
Youmay not be familiar with Lavinia Fontana’s altarpiece Birth of the Virgin, which hangs in the church of Santissima Trinità in Bologna (fig. 1). However, it is truly extraordinary and deserves more recognition. The seventeenth-century Bolognese art critic Cesare Malvasia referred to it as a “bold gamble that succeeded.” This article confirms his assessment by providing some new references for Lavinia’s work and correcting some misunderstandings that have overshadowed its complexity. In the painting, a crowd of women bustles around the newborn. One womanwarms a towel by the fireplace, another unrolls swaddling bands, and a third places a pot of hot stones under a bed cover to keep it warm.
{"title":"Lavinia Fontana’s <i>Birth of the Virgin</i>","authors":"Emanuele Lugli","doi":"10.1086/726093","DOIUrl":"https://doi.org/10.1086/726093","url":null,"abstract":"Youmay not be familiar with Lavinia Fontana’s altarpiece Birth of the Virgin, which hangs in the church of Santissima Trinità in Bologna (fig. 1). However, it is truly extraordinary and deserves more recognition. The seventeenth-century Bolognese art critic Cesare Malvasia referred to it as a “bold gamble that succeeded.” This article confirms his assessment by providing some new references for Lavinia’s work and correcting some misunderstandings that have overshadowed its complexity. In the painting, a crowd of women bustles around the newborn. One womanwarms a towel by the fireplace, another unrolls swaddling bands, and a third places a pot of hot stones under a bed cover to keep it warm.","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Front Matter 前页
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/727857
Next article FreeFront MatterPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Source Volume 42, Number 3Spring 2023 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/727857 © 2023 Bard Graduate Center. All rights reserved.PDF download Crossref reports no articles citing this article.
下一篇文章FreeFront MatterPDFPDF PLUS添加到收藏下载CitationTrack CitationsPermissionsReprints转载分享在facebook twitterlinkedinredditemailprint sectionsmoredetailsfigures参考文献引用来源卷42,编号3Spring 2023年春季由纽约巴德研究生中心主办文章DOIhttps://doi.org/10.1086/727857©2023巴德研究生中心。Crossref报告没有引用这篇文章的文章。
{"title":"Front Matter","authors":"","doi":"10.1086/727857","DOIUrl":"https://doi.org/10.1086/727857","url":null,"abstract":"Next article FreeFront MatterPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Source Volume 42, Number 3Spring 2023 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/727857 © 2023 Bard Graduate Center. All rights reserved.PDF download Crossref reports no articles citing this article.","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contributors 贡献者
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/726096
{"title":"Contributors","authors":"","doi":"10.1086/726096","DOIUrl":"https://doi.org/10.1086/726096","url":null,"abstract":"","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Christina Robertson’s Children with a Parrot: Identification of the Sitters 克里斯蒂娜·罗伯逊的《孩子和鹦鹉:保姆的身份识别》
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/726095
Liya Okroshidze
A tender and touching children’s portrait in the Hermitage was created by the Scottish artist Christina Robertson during her stay in Russia and dates to 1850 (fig. 1). Although Robertson’s customers were wealthy nobles—we can identify them by name in many of her signed works—this portrait of children unfortunately still keeps a major secret. The lack of information about the sitters does not detract from the value of the painting, but nevertheless, researchers and art lovers are always interested in knowing who is depicted in the portrait. In this article, I will make an
{"title":"Christina Robertson’s <i>Children with a Parrot</i>: Identification of the Sitters","authors":"Liya Okroshidze","doi":"10.1086/726095","DOIUrl":"https://doi.org/10.1086/726095","url":null,"abstract":"A tender and touching children’s portrait in the Hermitage was created by the Scottish artist Christina Robertson during her stay in Russia and dates to 1850 (fig. 1). Although Robertson’s customers were wealthy nobles—we can identify them by name in many of her signed works—this portrait of children unfortunately still keeps a major secret. The lack of information about the sitters does not detract from the value of the painting, but nevertheless, researchers and art lovers are always interested in knowing who is depicted in the portrait. In this article, I will make an","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Hanging of Judas in Chicago and the End of an Image 犹大在芝加哥的绞刑和一个形象的终结
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/726091
Benjamin Zweig
A single small late medieval glass panel, measuring 22 by 17 inches, in the collection of the Art Institute of Chicago depicts the grisly final moments of Judas Iscariot (fig. 1). In the central foreground, Judas’s limp body hangs from the lowest branch of a large tree. Bearded and with reddish-brown hair, his head tilts to the left, exposing the noose that coils around his throat. In the lower left, a winged demon gratefully accepts Judas’s soul, symbolized by a naked infant, as it bursts through his stomach and rends his flesh apart. It is as though an inverted birth, where death begets death, the demon acting asmidwife. The terrible event occurs
{"title":"<i>The Hanging of Judas</i> in Chicago and the End of an Image","authors":"Benjamin Zweig","doi":"10.1086/726091","DOIUrl":"https://doi.org/10.1086/726091","url":null,"abstract":"A single small late medieval glass panel, measuring 22 by 17 inches, in the collection of the Art Institute of Chicago depicts the grisly final moments of Judas Iscariot (fig. 1). In the central foreground, Judas’s limp body hangs from the lowest branch of a large tree. Bearded and with reddish-brown hair, his head tilts to the left, exposing the noose that coils around his throat. In the lower left, a winged demon gratefully accepts Judas’s soul, symbolized by a naked infant, as it bursts through his stomach and rends his flesh apart. It is as though an inverted birth, where death begets death, the demon acting asmidwife. The terrible event occurs","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Summoned by Bells: The Soundscape of Leonardo da Vinci’s Battle of Anghiari 钟声召唤:达·芬奇的安希亚里战役的音景
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/726090
Francesca Borgo
{"title":"Summoned by Bells: The Soundscape of Leonardo da Vinci’s <i>Battle of Anghiari</i>","authors":"Francesca Borgo","doi":"10.1086/726090","DOIUrl":"https://doi.org/10.1086/726090","url":null,"abstract":"","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Turks of the Passion: The Antagonists of Christ in Passion Scenes of Transylvanian Wooden Churches 受难的土耳其人:特兰西瓦尼亚木制教堂受难场景中的基督对手
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/726094
Andreea Andrei
The historical coordinates of Transylvania are those of a territory disputed between foreign powers. As a former component of the medieval kingdom of Hungary, Transylvania became, after the kingdom fell apart under Ottoman attacks, a semi-independent principality under Ottoman suzerainty. Native princes elected by the local elite and confirmed by the sultan ruled over the principality from 1540 to 1690. The Ottomans used military force to intervene in its affairs in order to curb
{"title":"Turks of the Passion: The Antagonists of Christ in Passion Scenes of Transylvanian Wooden Churches","authors":"Andreea Andrei","doi":"10.1086/726094","DOIUrl":"https://doi.org/10.1086/726094","url":null,"abstract":"The historical coordinates of Transylvania are those of a territory disputed between foreign powers. As a former component of the medieval kingdom of Hungary, Transylvania became, after the kingdom fell apart under Ottoman attacks, a semi-independent principality under Ottoman suzerainty. Native princes elected by the local elite and confirmed by the sultan ruled over the principality from 1540 to 1690. The Ottomans used military force to intervene in its affairs in order to curb","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Erasmus’s Nose 伊拉斯谟的鼻子
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/726092
Alexander Marr
Desiderius Erasmus waited until he was fifty to have his portrait painted. Thereafter, images of the “prince of scholars” came thick and fast, including Hans Holbein the Younger’s oil portraits of 1523 and the celebrated engraving by Albrecht Dürer of 1526. The first, though, was the diptych portrait of Erasmus and Antwerp’s city clerk, Pieter Gillis, commissioned from Quinten Matsys in 1517 and sent to their mutual friend Thomas More that year (figs. 1 and 2). This much-discussed picture depicts the scholars in a studiolo stacked with books by ancient and modern authors, among themworks by Lucian and Erasmus’s own Praise of Folly. Erasmus is portrayed writing his Paraphrase of St Paul’s Epistle to
{"title":"Erasmus’s Nose","authors":"Alexander Marr","doi":"10.1086/726092","DOIUrl":"https://doi.org/10.1086/726092","url":null,"abstract":"Desiderius Erasmus waited until he was fifty to have his portrait painted. Thereafter, images of the “prince of scholars” came thick and fast, including Hans Holbein the Younger’s oil portraits of 1523 and the celebrated engraving by Albrecht Dürer of 1526. The first, though, was the diptych portrait of Erasmus and Antwerp’s city clerk, Pieter Gillis, commissioned from Quinten Matsys in 1517 and sent to their mutual friend Thomas More that year (figs. 1 and 2). This much-discussed picture depicts the scholars in a studiolo stacked with books by ancient and modern authors, among themworks by Lucian and Erasmus’s own Praise of Folly. Erasmus is portrayed writing his Paraphrase of St Paul’s Epistle to","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editor’s Note: Our Current Lineup of Diversity, Equity, and Inclusion 编者注:我们目前的多元化、公平和包容性阵容
3区 艺术学 Q4 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1086/726088
John Cunnally
{"title":"Editor’s Note: Our Current Lineup of Diversity, Equity, and Inclusion","authors":"John Cunnally","doi":"10.1086/726088","DOIUrl":"https://doi.org/10.1086/726088","url":null,"abstract":"","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
期刊
SOURCE-NOTES IN THE HISTORY OF ART
全部 Acc. Chem. Res. ACS Applied Bio Materials ACS Appl. Electron. Mater. ACS Appl. Energy Mater. ACS Appl. Mater. Interfaces ACS Appl. Nano Mater. ACS Appl. Polym. Mater. ACS BIOMATER-SCI ENG ACS Catal. ACS Cent. Sci. ACS Chem. Biol. ACS Chemical Health & Safety ACS Chem. Neurosci. ACS Comb. Sci. ACS Earth Space Chem. ACS Energy Lett. ACS Infect. Dis. ACS Macro Lett. ACS Mater. Lett. ACS Med. Chem. Lett. ACS Nano ACS Omega ACS Photonics ACS Sens. ACS Sustainable Chem. Eng. ACS Synth. Biol. Anal. Chem. BIOCHEMISTRY-US Bioconjugate Chem. BIOMACROMOLECULES Chem. Res. Toxicol. Chem. Rev. Chem. Mater. CRYST GROWTH DES ENERG FUEL Environ. Sci. Technol. Environ. Sci. Technol. Lett. Eur. J. Inorg. Chem. IND ENG CHEM RES Inorg. Chem. J. Agric. Food. Chem. J. Chem. Eng. Data J. Chem. Educ. J. Chem. Inf. Model. J. Chem. Theory Comput. J. Med. Chem. J. Nat. Prod. J PROTEOME RES J. Am. Chem. Soc. LANGMUIR MACROMOLECULES Mol. Pharmaceutics Nano Lett. Org. Lett. ORG PROCESS RES DEV ORGANOMETALLICS J. Org. Chem. J. Phys. Chem. J. Phys. Chem. A J. Phys. Chem. B J. Phys. Chem. C J. Phys. Chem. Lett. Analyst Anal. Methods Biomater. Sci. Catal. Sci. Technol. Chem. Commun. Chem. Soc. Rev. CHEM EDUC RES PRACT CRYSTENGCOMM Dalton Trans. Energy Environ. Sci. ENVIRON SCI-NANO ENVIRON SCI-PROC IMP ENVIRON SCI-WAT RES Faraday Discuss. Food Funct. Green Chem. Inorg. Chem. Front. Integr. Biol. J. Anal. At. Spectrom. J. Mater. Chem. A J. Mater. Chem. B J. Mater. Chem. C Lab Chip Mater. Chem. Front. Mater. Horiz. MEDCHEMCOMM Metallomics Mol. Biosyst. Mol. Syst. Des. Eng. Nanoscale Nanoscale Horiz. Nat. Prod. Rep. New J. Chem. Org. Biomol. Chem. Org. Chem. Front. PHOTOCH PHOTOBIO SCI PCCP Polym. Chem.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1