Review of Shape and Color on Poleng Motifs in Bali

A. P. Wibawa, I. Santosa, S. Sabana, A. Destiarmand
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Abstract

In the beginning, the poleng motif was a sacred motif by the Balinese people. The poleng motif has a meaning as a form of petition and protection to God Almighty in His form and manifestation as creator, preserver, and harmonizing to achieve a happy and prosperous life. Another meaning is as a form to neutralize and restore balance from dark forces to help achieve the perfection of life. In its application as a motif wrapped around sacred objects, the poleng motif has the meaning of a repellent to strengthen and as a place of worship of God in His manifestation as a guardian. In subsequent developments due to tourism with increasing local and foreign tourist visits, the poleng motif has functioned as a decoration. This shift certainly leads to a reinterpretation of the meaning of the poleng motif in Bali. This study aims to get a new meaning for the poleng motif in Bali. To get this new meaning, a qualitative methodology is used based on the theoretical basis of Panofsky's iconology which emphasizes the study of visual analysis. The study carried out resulted in new findings in the form of a new meaning for the poleng motif. Based on the analysis, it was found that there was a shift in meaning from sacred to profane with the new meaning of the poleng motif being cultural communication. The form of communication created is a self-image product that reflects Balinese cultural identity. Local cultural identity is used to introduce Balinese culture.
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巴厘坡棱图案的形与色评述
最初,波棱图案是巴厘人的神圣图案。poleng主题的含义是向全能的上帝请愿和保护,他的形式和表现是创造者,保存者和和谐,以实现幸福和繁荣的生活。另一种含义是作为一种形式来中和和恢复黑暗力量的平衡,以帮助实现生命的完美。在它的应用中,作为一个图案包裹在神圣的物体上,poleng图案有一种排斥强化的意思,也是一个崇拜上帝的地方,在他作为守护者的表现中。在随后的发展中,由于当地和外国游客的增加,poleng图案起到了装饰的作用。这种转变无疑导致了对巴厘岛中poleng主题意义的重新解释。本研究旨在为《巴厘》中的poleng母题赋予新的意义。在强调视觉分析研究的帕诺夫斯基图像学的理论基础上,采用了一种定性的方法来实现这一新的意义。研究的结果是对poleng母题有了新的意义。在分析的基础上发现,“poleng”母题的意义发生了从“神圣”到“亵渎”的转变,新的意义是“文化交流”。所创造的传播形式是反映巴厘文化认同的自我形象产品。利用地方文化认同来介绍巴厘文化。
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发文量
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审稿时长
4 weeks
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