Alison G. Clark, Catherine Harvey, L. Kenward, J. Porter
{"title":"More Than Souvenirs","authors":"Alison G. Clark, Catherine Harvey, L. Kenward, J. Porter","doi":"10.3167/jys.2018.190205","DOIUrl":null,"url":null,"abstract":"Lady Annie Brassey (1839–1887) was a well-known Victorian travel writer who\nwas also a collector, photographer, ethnographer, zoologist, and botanist and\nwho traveled around the world aboard the privately owned yacht the Sunbeam.\nDuring these voyages she amassed a collection of approximately six thousand\nobjects. Much more than tourist souvenirs, the collection shows a rigorous academic\nunderstanding of the disciplines she was collecting within. The ethnographic\nmaterial, which makes up one-third of the collection, has gained little\nattention. Using her travel writing as a primary source, this article will interrogate\nBrassey’s role as the maker of this collection, someone whose class allowed\nher to travel and to pursue museum collection, curation, and education to a\nnear-professional level. Through three case studies this article will consider how\nshe collected and curated her own museum and used her collection for public\nbenefit.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":"606 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journeys-The International Journal of Travel and Travel Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/jys.2018.190205","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Lady Annie Brassey (1839–1887) was a well-known Victorian travel writer who
was also a collector, photographer, ethnographer, zoologist, and botanist and
who traveled around the world aboard the privately owned yacht the Sunbeam.
During these voyages she amassed a collection of approximately six thousand
objects. Much more than tourist souvenirs, the collection shows a rigorous academic
understanding of the disciplines she was collecting within. The ethnographic
material, which makes up one-third of the collection, has gained little
attention. Using her travel writing as a primary source, this article will interrogate
Brassey’s role as the maker of this collection, someone whose class allowed
her to travel and to pursue museum collection, curation, and education to a
near-professional level. Through three case studies this article will consider how
she collected and curated her own museum and used her collection for public
benefit.