The travel journal, collecting, and exhibition of objects by museum founder, tea merchant and Member of Parliament Frederick Horniman (1835–1906) in the late nineteenth century demonstrate how material objects exemplify travel writing. Through an examination of objects he collected and later interpreted at the Horniman Free Museum, this article presents a case study of how collecting activities mirror and serve as a form of travel writing. This article presents a new model for understanding, beyond the written word, how travelers can capture the experience of a foreign expedition through the collecting and interpretation of objects.
{"title":"‘He States That This is the Most Lovely Building He Has Ever Had the Pleasure of Seeing . . . ’","authors":"","doi":"10.3167/jys.2021.220201","DOIUrl":"https://doi.org/10.3167/jys.2021.220201","url":null,"abstract":"The travel journal, collecting, and exhibition of objects by museum founder, tea merchant and Member of Parliament Frederick Horniman (1835–1906) in the late nineteenth century demonstrate how material objects exemplify travel writing. Through an examination of objects he collected and later interpreted at the Horniman Free Museum, this article presents a case study of how collecting activities mirror and serve as a form of travel writing. This article presents a new model for understanding, beyond the written word, how travelers can capture the experience of a foreign expedition through the collecting and interpretation of objects.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81109941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article describes two journeys. The first is the journey undertaken by Christian missionary John Allen Chau to North Sentinel Island, where he planned to preach the Christian gospel to the island’s inhabitants despite the fact that they have been cut off from the outside world for sixty thousand years. Chau’s efforts ended in his death at the hands of the islanders. The second journey recounted in the article is that from missionary to saint undertaken following Chau’s death. The article examines several issues related to certain philosophical problems in respect of the authority required to designate a victim of violent death a martyr or a saint.
本文描述了两段旅程。第一个故事是基督教传教士约翰·艾伦·周(John Allen Chau)前往北森蒂纳尔岛(North Sentinel Island)的旅程，尽管岛上的居民已经与外界隔绝了6万年，但他计划在那里向岛上的居民传播基督教福音。Chau的努力以死于岛民之手而告终。文章叙述的第二段旅程，是赵死后从传教士到圣人的历程。这篇文章审查了与指定暴力死亡受害者为烈士或圣徒所需的权威有关的若干哲学问题。
{"title":"John Allen Chau and the Designative Authority of Martyrdom","authors":"","doi":"10.3167/jys.2021.220203","DOIUrl":"https://doi.org/10.3167/jys.2021.220203","url":null,"abstract":"This article describes two journeys. The first is the journey undertaken by Christian missionary John Allen Chau to North Sentinel Island, where he planned to preach the Christian gospel to the island’s inhabitants despite the fact that they have been cut off from the outside world for sixty thousand years. Chau’s efforts ended in his death at the hands of the islanders. The second journey recounted in the article is that from missionary to saint undertaken following Chau’s death. The article examines several issues related to certain philosophical problems in respect of the authority required to designate a victim of violent death a martyr or a saint.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73071561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores the interconnections between mobility and identity as portrayed in Kiran Desai’s The Inheritance of Loss (2006). In the past, mobility, especially forced or diasporic, was perceived as enveloping the migrant’s identity with a sense of alienation and nostalgia. In the present, however, it is often viewed as facilitating flexibility and a pluralistic worldview entailing intermingled cultures. While examining the interrelation between mobility and identity, this article evaluates the way in which Desai portrays conflicts and tension between two worlds, inhabited by legal natives and illegal migrants, as well as illegal natives and legal migrants.
{"title":"Mobility and Identity in Kiran Desai’s The Inheritance of Loss","authors":"","doi":"10.3167/jys.2021.220204","DOIUrl":"https://doi.org/10.3167/jys.2021.220204","url":null,"abstract":"This article explores the interconnections between mobility and identity as portrayed in Kiran Desai’s The Inheritance of Loss (2006). In the past, mobility, especially forced or diasporic, was perceived as enveloping the migrant’s identity with a sense of alienation and nostalgia. In the present, however, it is often viewed as facilitating flexibility and a pluralistic worldview entailing intermingled cultures. While examining the interrelation between mobility and identity, this article evaluates the way in which Desai portrays conflicts and tension between two worlds, inhabited by legal natives and illegal migrants, as well as illegal natives and legal migrants.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88269462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article aims to explore British traveler James Bryce’s political analysis of the Porfirian regime. In October 1901, Bryce visited Mexico and wrote letters to his family portraying his stay. Afterward, based upon his travel account, he spoke about the country in two conferences, one time in Oxford (1902) and another in Aberdeen (1903). Later on, he wrote about Mexico in his book South America: Observations and Impressions (1912), which was the result of his travels through Latin America in 1901 and 1910. We shall explore Bryce’s position toward the Porfirian regime, from disinterest in Porfirio Díaz’s despotism and the political elite in 1901 to admiration of its achievement of peace and progress in 1911 once the Mexican Revolution had commenced.
{"title":"James Bryce’s Political Analysis of Mexico’s Porfirian Regime","authors":"I. García","doi":"10.3167/jys.2021.220105","DOIUrl":"https://doi.org/10.3167/jys.2021.220105","url":null,"abstract":"This article aims to explore British traveler James Bryce’s political analysis of the Porfirian regime. In October 1901, Bryce visited Mexico and wrote letters to his family portraying his stay. Afterward, based upon his travel account, he spoke about the country in two conferences, one time in Oxford (1902) and another in Aberdeen (1903). Later on, he wrote about Mexico in his book South America: Observations and Impressions (1912), which was the result of his travels through Latin America in 1901 and 1910. We shall explore Bryce’s position toward the Porfirian regime, from disinterest in Porfirio Díaz’s despotism and the political elite in 1901 to admiration of its achievement of peace and progress in 1911 once the Mexican Revolution had commenced.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87542669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
With social and economic boundaries receding, transnationalism is a fast-growing phenomenon in the world. The article highlights the journey undertaken in the novel Life of Pi by the protagonist across several countries, justifying the thought that staying unconditionally loyal to one nation is futile. In contemporary times with a shift in social, economic, and cultural terms, the nation stands deterritorialized. Reaching out across borders in a world where distance and time have crumbled is looked upon as the beginning of the idea of transnationalism. Even the relationship of the protagonist with the unexplored islands has undergone change. Bereft of family, he is a castaway on unknown terrain, a victim of the unforeseen wrath of nature and in intimidation of the island, which he has to leave soon. Shifting focus of the present humanity is explored in the article, establishing the argument of change in the contemporary thought and lifestyle.
{"title":"Toward Transnationalism","authors":"S. Agarwal","doi":"10.3167/jys.2021.220104","DOIUrl":"https://doi.org/10.3167/jys.2021.220104","url":null,"abstract":"With social and economic boundaries receding, transnationalism is a fast-growing phenomenon in the world. The article highlights the journey undertaken in the novel Life of Pi by the protagonist across several countries, justifying the thought that staying unconditionally loyal to one nation is futile. In contemporary times with a shift in social, economic, and cultural terms, the nation stands deterritorialized. Reaching out across borders in a world where distance and time have crumbled is looked upon as the beginning of the idea of transnationalism. Even the relationship of the protagonist with the unexplored islands has undergone change. Bereft of family, he is a castaway on unknown terrain, a victim of the unforeseen wrath of nature and in intimidation of the island, which he has to leave soon. Shifting focus of the present humanity is explored in the article, establishing the argument of change in the contemporary thought and lifestyle.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73943722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Recently, there has been an upsurge of interest in travel writing, postcolonialism, and landscape politics. However, studies of travel writing addressing the notion of the picturesque have not yet explored the idea of aesthetic sensibility in British travel narratives in the Regency of Tunis. This article examines the aesthetics of the picturesque in three British travel accounts: Grenville Temple’s Excursions in the Mediterranean: Algiers and Tunis (1835); Robert Lambert Playfair’s Travels in the Footsteps of Bruce in Algeria and Tunis (1877); and Henry Spencer Ashbee and Alexander Graham’s Travels in Tunisia (1887). These travelers used the picturesque in different but interlinked ways; they oscillated between finding the uncanny landscape an object of delight where it conformed to British aesthetic doctrine and an object of derision where they noted aesthetic deficiencies. By the turn of the nineteenth century, this picturesque way of seeing shifted into an Orientalist desire for “Otherness.”
{"title":"“Pretty as a Picture”","authors":"Imene Gannouni Khemiri","doi":"10.3167/jys.2021.220106","DOIUrl":"https://doi.org/10.3167/jys.2021.220106","url":null,"abstract":"Recently, there has been an upsurge of interest in travel writing, postcolonialism, and landscape politics. However, studies of travel writing addressing the notion of the picturesque have not yet explored the idea of aesthetic sensibility in British travel narratives in the Regency of Tunis. This article examines the aesthetics of the picturesque in three British travel accounts: Grenville Temple’s Excursions in the Mediterranean: Algiers and Tunis (1835); Robert Lambert Playfair’s Travels in the Footsteps of Bruce in Algeria and Tunis (1877); and Henry Spencer Ashbee and Alexander Graham’s Travels in Tunisia (1887). These travelers used the picturesque in different but interlinked ways; they oscillated between finding the uncanny landscape an object of delight where it conformed to British aesthetic doctrine and an object of derision where they noted aesthetic deficiencies. By the turn of the nineteenth century, this picturesque way of seeing shifted into an Orientalist desire for “Otherness.”","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89601396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Our recent experiences of quarantine during the COVID-19 outbreak have exposed the vulnerability of poorer members of society and has highlighted their increased suffering during the period of restricted mobility. This article considers the way in which quarantine exacerbates inequalities from a historical perspective, looking at enforced periods of restricted travel and its impact on servants and lower-class British travelers of the eighteenth century in Europe. It examines both the history of representations of plague and contagion, and some of the human reactions to fears of disease, one of which was the imposition of quarantine measures. Three main sources are referred to: Patrick Brydone’s A Tour through Sicily and Malta in a Series of Letters to William Beckford, published in 1790; Elizabeth, Lady Craven’s “A Journey through the Crimea to Constantinople in a series of Letters,” published in 1789; and the unpublished letters of William Fletcher, manservant to Lord Byron, from his journeys in 1811. The texts produced by these travelers from the eighteenth century offer rich material for the consideration of the impact of mobility and immobility both of and on the body and how these experiences were strikingly different depending on the social class of the traveler.
{"title":"“Many and Dreadful Disasters”","authors":"Kathryn Walchester","doi":"10.3167/jys.2021.220102","DOIUrl":"https://doi.org/10.3167/jys.2021.220102","url":null,"abstract":"Our recent experiences of quarantine during the COVID-19 outbreak have exposed the vulnerability of poorer members of society and has highlighted their increased suffering during the period of restricted mobility. This article considers the way in which quarantine exacerbates inequalities from a historical perspective, looking at enforced periods of restricted travel and its impact on servants and lower-class British travelers of the eighteenth century in Europe. It examines both the history of representations of plague and contagion, and some of the human reactions to fears of disease, one of which was the imposition of quarantine measures. Three main sources are referred to: Patrick Brydone’s A Tour through Sicily and Malta in a Series of Letters to William Beckford, published in 1790; Elizabeth, Lady Craven’s “A Journey through the Crimea to Constantinople in a series of Letters,” published in 1789; and the unpublished letters of William Fletcher, manservant to Lord Byron, from his journeys in 1811. The texts produced by these travelers from the eighteenth century offer rich material for the consideration of the impact of mobility and immobility both of and on the body and how these experiences were strikingly different depending on the social class of the traveler.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82510582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The “spatial turn” in the humanities has pointed out how space is produced and how it is affected by power relations, while critical geography has identified the impact of these relations on cartographic representation of space. The presence of maps in travel narratives thus carries certain ideologies and influences the narratives. In Un livre blanc: récit avec cartes [ A Blank Book: Narrative with Maps ] (2007), contemporary French author Philippe Vasset attempts to describe the fifty blank spaces that he has noticed on the topographic map of Paris and its suburbs and visited over a one-year period. This article analyzes the major impact of maps on this narrative and the representation of space that it creates. Despite a direct experience of these “blank spaces”, the narrator is affected by a “cartographic performativity” that prompts him to treat space as a map, and he aims to write as a disembodied cartographer.
{"title":"Carte blanche to Travel Narrative","authors":"Sara Bédard-Goulet","doi":"10.3167/jys.2021.220103","DOIUrl":"https://doi.org/10.3167/jys.2021.220103","url":null,"abstract":"The “spatial turn” in the humanities has pointed out how space is produced and how it is affected by power relations, while critical geography has identified the impact of these relations on cartographic representation of space. The presence of maps in travel narratives thus carries certain ideologies and influences the narratives. In Un livre blanc: récit avec cartes [ A Blank Book: Narrative with Maps ] (2007), contemporary French author Philippe Vasset attempts to describe the fifty blank spaces that he has noticed on the topographic map of Paris and its suburbs and visited over a one-year period. This article analyzes the major impact of maps on this narrative and the representation of space that it creates. Despite a direct experience of these “blank spaces”, the narrator is affected by a “cartographic performativity” that prompts him to treat space as a map, and he aims to write as a disembodied cartographer.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81540300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article focuses on two twentieth-century Anglophone Arab women writers’ accounts of their travels to “the West”: Leila Ahmed’s A Border Passage: From Cairo to America—A Woman’s Journey (1999), and Fatema Mernissi’s Scheherazade Goes West: Different Cultures, Different Harems (2001). While their engagement with orientalist conceptions of the harem has received some attention, how and why they deploy Sufi texts, concepts, and cosmologies to advance their “double critique” of local and colonial patriarchies has not been subject to a sustained analysis, despite its salience in their travelogues. This article establishes that the Sufi praxis of travel ( safar ) becomes a facilitating framework, and ultimately a methodology derived from culturally grounded ways of knowing and being, for their overdetermined journeys toward what has been called “Islamic feminism.”
{"title":"“Double Critique” and the Sufi Praxis of Travel in Leila Ahmed’s A Border Passage and Fatema Mernissi’s Scheherazade Goes West","authors":"B. Andrea","doi":"10.3167/jys.2021.220101","DOIUrl":"https://doi.org/10.3167/jys.2021.220101","url":null,"abstract":"This article focuses on two twentieth-century Anglophone Arab women writers’ accounts of their travels to “the West”: Leila Ahmed’s A Border Passage: From Cairo to America—A Woman’s Journey (1999), and Fatema Mernissi’s Scheherazade Goes West: Different Cultures, Different Harems (2001). While their engagement with orientalist conceptions of the harem has received some attention, how and why they deploy Sufi texts, concepts, and cosmologies to advance their “double critique” of local and colonial patriarchies has not been subject to a sustained analysis, despite its salience in their travelogues. This article establishes that the Sufi praxis of travel ( safar ) becomes a facilitating framework, and ultimately a methodology derived from culturally grounded ways of knowing and being, for their overdetermined journeys toward what has been called “Islamic feminism.”","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89598713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Generally, analyzes of Otto Nordenskjöld’s trip to the Antarctic (1901-1904) ignore the preparations that required a previous trip to Chilean-Argentine Patagonia (1894-1897). Even more, these analyzes forget the Colonial dimension of this expedition. This paper intends to fill this void considering for the analysis two images present in the Swedish travel story. The concept of iconology is proposed here as a link between the image (icons) and the story (logos). The aim is to analyze the iconology to discuss the meaningful configuration of an identity gaze—the Europeans—and a gaze on the otherness—the indigenous. The results show that in the iconology presented in the story and in the images, appear paradoxical elements that allow questioning the relevance of the identity-alterity dichotomy through the appearance of third spaces.
{"title":"To travel is to Look, to Look is to Relate","authors":"E. Gallegos, Jaime Otazo","doi":"10.3167/jys.2020.210204","DOIUrl":"https://doi.org/10.3167/jys.2020.210204","url":null,"abstract":"Generally, analyzes of Otto Nordenskjöld’s trip to the Antarctic (1901-1904) ignore the preparations that required a previous trip to Chilean-Argentine Patagonia (1894-1897). Even more, these analyzes forget the Colonial dimension of this expedition. This paper intends to fill this void considering for the analysis two images present in the Swedish travel story. The concept of iconology is proposed here as a link between the image (icons) and the story (logos). The aim is to analyze the iconology to discuss the meaningful configuration of an identity gaze—the Europeans—and a gaze on the otherness—the indigenous. The results show that in the iconology presented in the story and in the images, appear paradoxical elements that allow questioning the relevance of the identity-alterity dichotomy through the appearance of third spaces.","PeriodicalId":42316,"journal":{"name":"Journeys-The International Journal of Travel and Travel Writing","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86817124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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