Modernist Women’s Writing and the First World War

IF 2 0 HUMANITIES, MULTIDISCIPLINARY Women-A Cultural Review Pub Date : 2023-04-03 DOI:10.1080/09574042.2023.2196167
D. Abdalla
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Abstract

Alice Kelly’s Commemorative Modernisms: Women Writers, Death and the First World War traces the profound effect that the dead of the First World War had on early-twentieth century literary culture. Using a literary historical framework, Kelly demonstrates that ‘the problem of what to do with the war dead’ (1) was crucial to the development of literary modernism, especially as it was formulated in the fiction of well-known women writers such as Edith Wharton, Katherine Mansfield, HD, and Virginia Woolf. In addition to providing analyses of these imaginative works, Kelly also closely reads genres more proximate to the brutality of death, such as the first-hand accounts of contemporary nurses’ narratives and Mansfield’s personal letters–Kelly shows that ‘whereas the Great War only enters Mansfield’s fiction in largely oblique, and elliptical modes, it explicitly permeates her personal writing’ (122). The book also argues for the literary import of cultures of commemoration that took place after the war. The overall effect of the monograph is a diffusive, but cogent picture of early-twentieth century culture held together by a tragic centre. Kelly’s analysis moves from representations based in literal intimacy with the war dead to those narratives which only figuratively encounter the lifeless bodies of soldiers. Chapter 1 begins with writings by wartime nurses, whose narratives were sometimes widely read in the years after the war; Kelly shows the way in which, unlike the modernist writers whom she will consider for the remainder of the book, these authors wrote death in the style of older, more conservative forms of literature. Chapter 2 sees Wharton as a more moderate figure on the road to modernist ambivalence about commemoration and persuasively shows that the conventional view of Wharton’s war writings as unimaginative propaganda does not do justice to her distinctive anxiety about her actions in support Alice Kelly, Commemorative Modernism: Women Writers, Death and the First World War, Edinburgh University Press, 2020, Hardback £80, ISBN: 9781474459907.
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现代女性写作与第一次世界大战
爱丽丝·凯利的《纪念现代主义:女作家、死亡和第一次世界大战》追溯了一战死者对20世纪早期文学文化的深远影响。凯利运用文学史的框架,论证了“如何处理战争死者的问题”(1)对现代主义文学的发展至关重要,尤其是在著名女作家伊迪丝·沃顿、凯瑟琳·曼斯菲尔德、HD和弗吉尼亚·伍尔夫的小说中。除了对这些富有想象力的作品进行分析之外,凯利还仔细阅读了更接近死亡残酷的类型,比如当代护士的叙述和曼斯菲尔德的私人信件的第一手资料——凯利表明,“尽管第一次世界大战在曼斯菲尔德的小说中只以很大程度上倾斜和椭圆的方式出现,但它明确地渗透到她的个人写作中”(122)。这本书还为战后发生的纪念文化的文学意义进行了论证。这部专著的总体效果是一幅扩散的,但令人信服的20世纪早期文化的图景,由一个悲剧中心聚集在一起。凯利的分析从基于与战争死者的字面亲密关系的表现转向了那些只是象征性地遇到士兵尸体的叙述。第一章从战时护士的作品开始,她们的叙述在战后的几年里有时被广泛阅读;凯利展示了不同于她将在本书剩余部分讨论的现代主义作家的方式,这些作者用更古老、更保守的文学形式来写死亡。第二章将沃顿视为现代主义者对纪念的矛盾心理道路上的一个较为温和的人物,并有说服力地表明,将沃顿的战争作品视为缺乏想象力的宣传的传统观点,与她对自己支持爱丽丝·凯利(Alice Kelly)的行动的独特焦虑不符。《纪念现代主义:女性作家,死亡与第一次世界大战》,爱丁堡大学出版社,2020年,精装本80英镑,ISBN: 9781474459907。
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Women-A Cultural Review
Women-A Cultural Review HUMANITIES, MULTIDISCIPLINARY-
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9.10%
发文量
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