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'Which Piece Fits in Precisely Where?': Disorientation as Queer Strategy in Ann Quin's Three. “哪一块适合放在哪里?”:迷失方向是安·奎因的《三》中的酷儿策略。
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2025-05-20 eCollection Date: 2024-01-01 DOI: 10.1080/09574042.2025.2469999
Alice Hill-Woods

The British experimental writer, Ann Quin (1936-73), has gained notoriety in recent years for her unconventional prose that decidedly swims against the current of canonical writing from the time. While she lived a life that strayed beyond heteronormative ideals, scholars rarely categorize her as a queer author. Her fragmentary novel Three (1966) follows a tripartite relationship between a couple and their young female lodger, and its plot and form leave much to be queried. Taking an approach informed by queer theory, this article positions Three as a distinctly queer novel, using disorientation as a lens for reading Quin's experimentation with language. Mediated by its evocatively arranged garden objects, temporal flux, disorientating losses and gaps, and utopian dreams and reveries encoded in complex syntax, Three operates as a text with plentiful potential. Three calls forth both the uncomfortable and painful dimensions of nonnormative desires, as well as making clear what ambitious experiments in fiction can do: that is, propose a different, more queer-tender world.

英国实验作家安·奎因(Ann Quin, 1936-73)近年来因其特立独行的散文而声名狼藉,她的散文显然与当时的权威写作潮流背道而驰。虽然她的一生偏离了异性恋的理想,但学者们很少将她归类为酷儿作家。她的短篇小说《三》(1966)讲述了一对夫妇和他们年轻的女房客之间的三方关系,其情节和形式令人质疑。本文以酷儿理论为指导,将《三》定位为一部独特的酷儿小说,以迷失方向为视角来解读奎恩的语言实验。通过其令人回味的花园物品,时间的流动,迷失方向的损失和间隙,以及用复杂的语法编码的乌托邦梦想和幻想,《三》作为一个具有丰富潜力的文本运作。《三》唤起了非规范欲望的不舒服和痛苦的维度,也清楚地表明了小说中雄心勃勃的实验可以做什么:即提出一个不同的、更酷儿温柔的世界。
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引用次数: 0
About Our Contributors 关于我们的撰稿人
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-05-22 DOI: 10.1080/09574042.2024.2340315
Published in Women: a cultural review (Vol. 35, No. 1, 2024)
发表于《妇女:文化评论》(第 35 卷,第 1 期,2024 年)
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引用次数: 0
Living with the Ancestors 与祖先一起生活
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-04-29 DOI: 10.1080/09574042.2024.2340307
Robin Hackett
Published in Women: a cultural review (Vol. 35, No. 1, 2024)
发表于《妇女:文化评论》(第 35 卷,第 1 期,2024 年)
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引用次数: 0
Feminist Depictions of Coercive Control in ‘Domestic Noir’: Ilsa Evans’s Broken (2007) and Kathryn Heyman’s Storm and Grace (2017) 女性主义对 "黑色家庭 "中强制控制的描述:伊莎-埃文斯的《破碎》(2007)和凯瑟琳-海曼的《风暴与恩典》(2017)
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-03-07 DOI: 10.1080/09574042.2024.2316992
Josephine Browne
Concurrent with increasing social and legal discussions of coercive control, literary scholars are turning their attention to analyses of an emergent genre labelled ‘domestic noir’. Adding to earli...
在社会和法律界对强制控制的讨论日益增多的同时,文学学者们正将注意力转向对一种被称为 "黑色家庭 "的新兴流派的分析。除了早期的 "家庭黑色小说 "之外,该书还对...
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引用次数: 0
Colonized Brown Motherhood: Em and the Big Hoom, Imelda and Indian Mothering 殖民化的棕色母性:小艾与大胡姆》、《伊梅尔达与印第安人的母爱》。
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-03-06 DOI: 10.1080/09574042.2024.2316990
Shivalika Agarwal, Nagendra Kumar
Mothering is a bond mothers share with their children, a feeling they experience subjectively. Yet motherhood is more often seen as a construct to be followed and by which to be judged. This societ...
母爱是母亲与子女之间的纽带,是她们主观体验到的一种情感。然而,母爱更常被视为一种需要遵循和评判的建构。这种社会...
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引用次数: 0
‘Activism for Introverts’: Sensitivity Reading and the Discourse of Emotional Labour 内向者的行动主义":敏感性阅读与情感劳动话语
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-01-15 DOI: 10.1080/09574042.2023.2278266
Sarah Brouillette
This article considers sensitivity readers—not as part of a woke mob controlling creative writers, but instead as a largely hidden, contingent, underpaid workforce. Based on interviews with sensiti...
这篇文章将敏感性读者--不是作为控制创意作家的觉醒暴徒的一部分,而是作为一个基本隐蔽的、临时的、报酬不足的劳动力。根据对敏感读者的访谈,我们认为敏感读者是创作者的...
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引用次数: 0
Crafting Connections: Creating Counterspaces to Academic Diversity Labour 建立联系:为学术多样性劳动创造反空间
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-01-15 DOI: 10.1080/09574042.2023.2278333
Linta Varghese, Eve Dunbar
In this piece we discuss the workspace precarities of women of colour academics in higher education in the United States between the early 2000s and early 2020s and share some thinking about how on...
在这篇文章中,我们讨论了本世纪初至 2020 年代初美国高等教育领域有色人种女学者工作空间的不稳定状况,并分享了一些关于如何在工作空间中实现...
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引用次数: 0
‘Required to Care’: Emotional Labour and the Futures of Work in Catherine Lacey’s The Answers 需要关心":凯瑟琳-莱西的《答案》中的情感劳动和工作的未来
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-01-15 DOI: 10.1080/09574042.2023.2278270
John Macintosh
The concept of emotional labour pervades recent popular discourse. However, this discourse tends to emphasize the unpaid work performed in personal and familial relationships. This erases Arlie Rus...
情感劳动的概念充斥着近期的流行言论。然而,这些论述往往强调个人和家庭关系中的无偿劳动。这抹杀了 Arlie Rus...
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引用次数: 0
Girl, Woman, Screen 女孩、女人、屏幕
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-01-15 DOI: 10.1080/09574042.2023.2278341
Tanya Kant
Published in Women: a cultural review (Vol. 34, No. 4, 2023)
发表于《妇女:文化评论》(第 34 卷,第 4 期,2023 年)
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引用次数: 0
Introduction: Imagining and Reimagining Emotional Labour 导言:想象和重新想象情感劳动
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2024-01-15 DOI: 10.1080/09574042.2023.2278261
Alexandra Peat, Emily Ridge
Published in Women: a cultural review (Vol. 34, No. 4, 2023)
发表于《妇女:文化评论》(第 34 卷,第 4 期,2023 年)
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引用次数: 0
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