{"title":"What if a girl in the Holocaust had Instagram? Éva’s Story as a case of indirect translation","authors":"A. Kohn, R. Weissbrod","doi":"10.1386/JAFP_00032_1","DOIUrl":null,"url":null,"abstract":"This article deals with the adaptation of a written text – the diary of 13-year-old Éva Heyman who died in the Holocaust – into a series of Instagram stories, joined to create a 50-minute film. We employ translation studies and the concept of ‘indirect translation’ to investigate this unique case in which a genre characterized by its ephemerality is used to commemorate and perpetuate the past. The project, which caused a furore because Instagram was considered inappropriate for dealing with such a grave subject, was motivated by the desire to transmit the diary to contemporary audiences and retain its relevance for them. We have found that the diary served as a general framework, but its contents and the character of Éva that emerges from it were overshadowed by two factors: turning Éva into a contemporary youngster, so as to attract today’s youth; and relying on Hollywood traditions of filming the Second World War and the Holocaust.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"93 1","pages":"285-303"},"PeriodicalIF":0.1000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Adaptation in Film & Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/JAFP_00032_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 2
Abstract
This article deals with the adaptation of a written text – the diary of 13-year-old Éva Heyman who died in the Holocaust – into a series of Instagram stories, joined to create a 50-minute film. We employ translation studies and the concept of ‘indirect translation’ to investigate this unique case in which a genre characterized by its ephemerality is used to commemorate and perpetuate the past. The project, which caused a furore because Instagram was considered inappropriate for dealing with such a grave subject, was motivated by the desire to transmit the diary to contemporary audiences and retain its relevance for them. We have found that the diary served as a general framework, but its contents and the character of Éva that emerges from it were overshadowed by two factors: turning Éva into a contemporary youngster, so as to attract today’s youth; and relying on Hollywood traditions of filming the Second World War and the Holocaust.