Nukha’s Theatrical Life in the 30s–40s of the 20th Century (Challenges, Progress, Problems)

IF 0.1 N/A HUMANITIES, MULTIDISCIPLINARY Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie Pub Date : 2022-01-01 DOI:10.21638/spbu15.2022.303
K. Adishirinov
{"title":"Nukha’s Theatrical Life in the 30s–40s of the 20th Century (Challenges, Progress, Problems)","authors":"K. Adishirinov","doi":"10.21638/spbu15.2022.303","DOIUrl":null,"url":null,"abstract":"The theatre in Nukha was founded by the amateur theatre troupe who staged the comedy “Haji Kara” by Mirza Fatali Akhundzade, a prominent playwright of the Azerbaijani literature in the 19th century. The path opened by the theatre amateurs was later expanded, and it led to getting a state status of the Nukha Theatre in 1936. The path of the Nukha Theatre had not been smooth enough, and as it is mentioned in the article, the Nukha Theatre had to be closed in 1949 due to a lack of financial support by the government and a lack of actors. In the 70s of the 20th century, the theatre life in Nukha was revived by a group of students of the Azerbaijan Institute of Culture and Arts sent to Sheki to work, and the theatre stepped to its new successful stage of its history. The activity of the Nukha Theatre in the 30s–40s was out of research and became a history in archive documents till the writing of this article. Indeed, limited information about the development of the Nukha Theatre was given by theatre researchers in the direction of research of the Azerbaijani Theatre, but the path of development of theatre had not been studied in the specific direction. This article is a part of the first step in this direction. The topicality of the article is a systematic and historical — chronological study of the Nukha Theatre, which was the integral part of the Azerbaijani Theatre in the 30s–40s of the 20th century, for the first time in a wide range. The scientific novelty of the topic is related to introducing the path of development of the Nukha Theatre in the 30s–40s of the 20th century to readers broadly.","PeriodicalId":40378,"journal":{"name":"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21638/spbu15.2022.303","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

Abstract

The theatre in Nukha was founded by the amateur theatre troupe who staged the comedy “Haji Kara” by Mirza Fatali Akhundzade, a prominent playwright of the Azerbaijani literature in the 19th century. The path opened by the theatre amateurs was later expanded, and it led to getting a state status of the Nukha Theatre in 1936. The path of the Nukha Theatre had not been smooth enough, and as it is mentioned in the article, the Nukha Theatre had to be closed in 1949 due to a lack of financial support by the government and a lack of actors. In the 70s of the 20th century, the theatre life in Nukha was revived by a group of students of the Azerbaijan Institute of Culture and Arts sent to Sheki to work, and the theatre stepped to its new successful stage of its history. The activity of the Nukha Theatre in the 30s–40s was out of research and became a history in archive documents till the writing of this article. Indeed, limited information about the development of the Nukha Theatre was given by theatre researchers in the direction of research of the Azerbaijani Theatre, but the path of development of theatre had not been studied in the specific direction. This article is a part of the first step in this direction. The topicality of the article is a systematic and historical — chronological study of the Nukha Theatre, which was the integral part of the Azerbaijani Theatre in the 30s–40s of the 20th century, for the first time in a wide range. The scientific novelty of the topic is related to introducing the path of development of the Nukha Theatre in the 30s–40s of the 20th century to readers broadly.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
20世纪三四十年代努卡的戏剧生活(挑战、进步、问题)
Nukha的剧院是由业余剧团创建的,他们上演了19世纪阿塞拜疆文学的著名剧作家Mirza Fatali Akhundzade的喜剧“Haji Kara”。由戏剧爱好者开辟的道路后来得到了扩展,并于1936年获得了Nukha剧院的国家地位。Nukha Theatre的发展道路并不平坦,正如文章中所提到的,由于缺乏政府的财政支持和演员的缺乏,Nukha Theatre不得不在1949年关闭。20世纪70年代,一群阿塞拜疆文化艺术学院的学生被派往谢基工作,Nukha的戏剧生活得以复苏,剧院走上了其历史上新的成功阶段。在撰写本文之前,女花剧院在30 - 40年代的活动已经脱离了研究,成为档案文件中的历史。的确,戏剧研究人员在研究阿塞拜疆剧院的方向上提供了关于Nukha剧院发展的有限资料,但没有在具体方向上研究戏剧的发展道路。本文是朝着这个方向迈出的第一步的一部分。这篇文章的主题是对Nukha剧院的系统和历史时间研究,Nukha剧院是20世纪30 - 40年代阿塞拜疆剧院的组成部分,这是第一次在广泛的范围内进行研究。选题的科学新颖性与向读者广泛介绍女团剧院在20世纪30 - 40年代的发展路径有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.20
自引率
50.00%
发文量
9
期刊最新文献
Sources of Figurenlehren of the Baroque Era in Musicology of the German Language Space Reproduction Technology. From Replica to Brand The Pragmatics of Romanticism. Edmund Burke as Art Theorist The Pavan in English Music of the 16th–17th Centuries Tapestry Art in Buryatia: Experience and Perspectives
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1