Nationalism and the Modernisation of Thai Architectural Education at Chulalongkorn University in the 1920s and 1930s

Chomchon Fusinpaiboon, T. Coomans, Pirasri Povatong
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Abstract

This paper examines the modernization of Thai architecture through the establishment of Thailand’s first architecture school, its curriculum, its architecture, and the pivotal role of the first generation of Thai architecture professors, who had been educated in England and France. It demonstrates how the establishment of the Faculty of Architecture, Chulalongkorn University, Bangkok, stemmed from the Siamese government’s growing nationalism that aimed to end foreign domination in both Siam’s construction industry and international diplomacy. The process, however, involved the adoption of a western curriculum — which was considered modern — and adapting it to be more Thai for nationalist purposes. This also required support by employing a foreign professor in architecture: Lucien Coppé, a Belgian architect who was responsible for both upgrading the school’s curriculum and the design of its first permanent building in 1938. Furthermore, some aspects of the western curriculum were not intended to be adapted but were hybridized due to the constraints of the modernizing nation. The establishment and construction of the Faculty of Architecture, Chulalongkorn University, are examples of how art, science, and education were intertwined in both national and global politics in the 1930s.  
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20世纪二三十年代,朱拉隆功大学的民族主义和泰国建筑教育的现代化
本文通过泰国第一所建筑学校的建立、它的课程、它的建筑,以及在英国和法国接受教育的第一代泰国建筑教授的关键作用,研究了泰国建筑的现代化。它展示了曼谷朱拉隆功大学建筑学院的建立是如何源于暹罗政府日益增长的民族主义,旨在结束外国对暹罗建筑业和国际外交的统治。然而,这一过程涉及到采用西方课程(被认为是现代课程),并出于民族主义目的对其进行调整,使其更具泰国特色。这还需要聘请一位外国建筑教授的支持:比利时建筑师吕西安·科佩尔(Lucien coppaud),他负责升级学校的课程,并在1938年设计了学校的第一座永久性建筑。此外,由于现代化国家的限制,西方课程的某些方面并不打算被改编,而是被混合起来。朱拉隆功大学建筑学院的建立和建设是20世纪30年代艺术、科学和教育如何在国家和全球政治中交织在一起的例子。
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