Poggio Bracciolini, an Inscription in Terranuova, and the Monument to Carlo Marsuppini: A Theory

Paul Shaw
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Abstract

The strangest Renaissance inscription is the dedication plaque of Poggio Bracciolini in the church of S. Maria in Terranuova Bracciolini. Over the course of eighteen lines, its letters morph from Florentine sans serif capitals to Imperial Roman capitals. The author theorizes that the gradual change was the result of Poggio Bracciolini coaching an untutored lettercutter in the subtle differences between the two styles of letters. Furthermore, there is a visual link between the letters of the Terranuova inscription and those of the inscription on the monument to Carlo Marsuppini in S. Croce that suggests Poggio played a role in its design.
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波吉奥·布拉乔利尼,特拉努瓦的铭文和卡洛·马苏皮尼纪念碑:一个理论
最奇怪的文艺复兴时期铭文是特拉努瓦·布拉乔利尼的圣玛丽亚教堂里的波吉奥·布拉乔利尼的奉献匾。在十八行的过程中,它的字母从佛罗伦萨的无衬线字体变成了罗马帝国的大写字母。作者的理论是,这种逐渐的变化是Poggio Bracciolini在两种风格的字母之间的细微差异方面指导一个没有受过训练的裁字师的结果。此外,Terranuova铭文的字母与S. Croce Carlo Marsuppini纪念碑上的铭文之间存在视觉上的联系,这表明Poggio在其设计中发挥了作用。
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