Peter Abrahams's Island Fictions for Freedom

IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Small Axe Pub Date : 2021-03-01 DOI:10.1215/07990537-8912789
Victoria J. Collis-Buthelezi
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Abstract

Abstract:When South African–born Peter Abrahams moved to Jamaica in 1956, he thought he had found a racial paradise. Over the next six decades as a Jamaican, his understanding of race in Jamaica was complicated after independence. His last two novels—This Island Now (1966) and The View from Coyaba (1985)—fictionalize the transition to independence in the anglophone Caribbean and how that transition related to the set of concerns unfolding across the rest of the black world. This essay traces Abrahams's thought on questions of race and decolonization through a close reading of his Caribbean fiction and how he came to theorize the literal and conceptual space of the Caribbean—the island—as a strategy for freedom. In so doing, the author asks, What are the limits of the Caribbean novel of the era of decolonization (1960s–80s) in the anglophone Caribbean? What constitutes it? And how does it articulate liberation?
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彼得·亚伯拉罕的海岛小说
摘要:1956年,当南非出生的彼得·亚伯拉罕移居牙买加时,他以为自己找到了一个种族天堂。在接下来的60年里,作为一个牙买加人,他对牙买加种族的理解在独立后变得复杂。他的最后两部小说——《现在的这个岛》(1966)和《科亚巴的景色》(1985)——虚构了讲英语的加勒比地区向独立的过渡,以及这种过渡与其他黑人世界所面临的一系列问题之间的关系。本文通过仔细阅读亚伯拉罕的加勒比小说,追溯了他对种族和非殖民化问题的思考,以及他如何将加勒比海的文字和概念空间——岛屿——理论化,作为一种自由的策略。在此过程中,作者提出了这样的问题:“在以英语为母语的加勒比海地区,非殖民化时代(1960 ~ 80年代)的加勒比小说的局限性是什么?”它是由什么构成的?它是如何表达解放的?
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来源期刊
Small Axe
Small Axe HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
16.70%
发文量
34
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