Traditions and Interpretations of the Ancient Theater in Post-Revolutionary Petrograd

IF 0.2 3区 历史学 Q2 HISTORY Rossiiskaya Istoriya Pub Date : 2023-01-01 DOI:10.18254/s207987840024511-1
O. Kulishova
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Abstract

The attention to the ancient drama characterized European culture at the turn of the 19—20th centuries was reflected in Russia in the search for new forms in theatrical art both at the very beginning of the 20th century and after the events of 1917. The author focuses on the most remarkable performances of Sophocles’ Oedipus Rex in 1910s in St. Petersburg/Petrograd at the Ciniselli Circus: in 1911 this Greek tragedy was staged by the famous German director Max Reinhardt, and in 1918 renewed by the famous Russian actor Yury Yuriev. The analysis of the important sources — the memoirs of participants and eyewitnesses of these performances, reviews and various publications in theater magazines, as well as surviving archival materials, etc. — makes it possible to trace the features of the interpretation and reception of this tragedy, which was especially consonant with the turbulent era of world cataclysms and wars.
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革命后彼得格勒古代戏剧的传统与诠释
在19 - 20世纪之交,对古代戏剧的关注成为欧洲文化的特征,在20世纪初和1917年事件之后,在俄罗斯对戏剧艺术新形式的探索中得到了反映。作者着重于索福克勒斯的《俄狄浦斯王》1910年代在圣彼得堡/彼得格勒的奇尼塞利马戏团最引人注目的表演:1911年,这部希腊悲剧由德国著名导演马克斯·莱因哈特(Max Reinhardt)上演,1918年由俄罗斯著名演员尤里·尤里耶夫(Yury Yuriev)重演。对重要来源的分析-这些表演的参与者和目击者的回忆录,评论和戏剧杂志上的各种出版物,以及幸存的档案材料等-使得有可能追踪对这场悲剧的解释和接受的特征,这与世界灾难和战争的动荡时代特别一致。
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