Motherhood dalam Novel Chanson Douce Karya Leila Slimani: Analisis Dekonstruksi Derrida

Albertine Darasita Anjani, W. Udasmoro, Aprillia Firmonasari
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Abstract

Motherhood ideology is commonly found in literary works, including narratives depicting the figure of a mother. In literature, especially in Europe, the figure of a mother is mystified and is often associated with the figure of the Virgin Mary. This is closely related to the oppression experienced by women due to the inequality of gender construction produced by society. The novel Chanson Douce by Leila Slimani narrates two mothers with different backgrounds. This study aims to carry out a deconstruction reading, especially on the discourse of motherhood. In interpreting something we are always dominated by dominant hierarchies and superior poles which are considered as "single truth". This single truth can lead to vulnerability to discrimination or service. The deconstruction method used in this study uses the concepts of trace and difference, in readings that lead to the meaning of texts that are "friendly" to the others. The results of this study lead us to new questions regarding the challenges of motherhood in this post-industrial era.
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Leila Slimani的小说Chanson Douce的母亲:Derrida的解构分析
母性意识形态在文学作品中随处可见,包括描写母亲形象的叙事。在文学中,尤其是在欧洲,母亲的形象是神秘的,经常与圣母玛利亚的形象联系在一起。这与社会所产生的性别建构的不平等导致女性所遭受的压迫密切相关。莱拉·斯利马尼的小说《香颂》讲述了两个背景不同的母亲的故事。本研究旨在对母性话语进行解构解读。在解释事物时,我们总是被统治等级和优越极点所支配,这被认为是“单一真理”。这个单一的事实可能导致容易受到歧视或服务。本研究中使用的解构方法使用了痕迹和差异的概念,在阅读中导致文本对他人“友好”的意义。这项研究的结果给我们带来了关于后工业时代母性挑战的新问题。
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